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Joseph E Bird

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photography

why – a poem for the artists

Hiker for web

Why
do you do
what you do?

.

You see the fall leaves
a season has passed
you pen the good words
and hope it will last.

A memory is shared
it once was so clear
your poetry speaks
to those who will hear.

.

You comprehend shadows
you understand light
you capture the feelings
of what’s lost in our sight.

Your pictures are poignant
of people unknown
they look faraway
they look so alone.

.

You see a petal
with colors of fire
you paint what you feel
it sings like a choir.

Your brush touches paper
like a gentle caress
the colors transform
become a child’s dress.

.

You hear the heart cry
of love gone away
you make it a song
to ease your dismay.

Or light fills your life
and burns off the haze
you sing of the beauty
your song is a praise.

.

Why
do you do
what you do?

It’s not for the fame,
or to hear accolades
such things are so fleeting
they’re just a charade.

You do it for you
and maybe to share
to give what we need
and to show that you care.


copyright 2016, joseph e bird

A.S. Morgan

sid-on-porch-for-webAlbert Sidney Morgan, ca 1968.

Sid Morgan was one of the most colorful personalities in my family, and the old home place, though it has been gone for more than 40 years, is still seared in my memory. This photo, photographer unknown, captures so much.

Most of the photos of Sid and his museum are in black and white. This one was probably taken just when color photography was becoming the dominant medium and it’s easy to imagine this image in black and white. In fact, with Photoshop I could strip the color down to a grey monotone and create a more retro photo that seems to be popular these days.  But then I’d lose the red shirt and scarf, which I think brings the photo to life.

Check out all the details, starting with Sid himself. There’s almost a smile, at the very least, a glint in the eyes. Self confident, and though past his prime, still very much his own man.

The house, too, is past its prime. The paint long-since faded. Only a little red remains on the porch post. The floor boards have decayed. Dry and dusty. You can imagine standing near the edge and gently nudging the boards downward with your foot and controlling their spring back into place.

The window to the left seems so fragile, as if it could be broken by a stiff breeze. The curtains may be brand new, but the context of the picture tells you they are not.

So many rockers to choose from, perfect for a quiet Sunday afternoon, as Sid tells tales of his trips down the Mississippi, and the Hennis trucks whine down Route 35 in front of the site of the John Amos power plant.

To the right is the front door. My grandmother, Opal Clatworthy, watches from behind the screen, almost hidden. What is she thinking?

What is Sid thinking?

Where is everybody else?

This is how stories start.

 

 

Time

Lantz LUmber 1 for web

Time, it swallows everything.

From the mighty to the meager thing.

It’s as dark as it is comforting,

to play along.

— from the song What’s Been Going On, by Amos Lee

Lantz Lumber 2 for web

Signal for web

photographs by joseph e bird, copyright 2016

Stories

Ever notice my profile pic? Looks like I could break out in song on a moment’s notice, right? When I was still on Facebook, I had the same photo on my Facebook page. One day an old friend, a very accomplished musician, saw my picture, stopped by my office and invited me to join him and his friends for their jam sessions. Sounds cool. But just because I’m holding a guitar doesn’t mean I’m good enough to join in with real musicians.

I declined.

There’s a lesson in that little story.

There are lessons in all good stories, even stories that are completely made up. Fiction, in other words. In fiction, we meet people, get to know them, and learn from their mistakes. We feel their pain, rejoice in their victories. Kind of like life.

I’ve heard people say they only read stories that are real. They mean history, biographies, and reference and self-improvement books. All good and beneficial. But by skipping fiction altogether, they’re missing nourishment for the heart and soul.

Same with art. And music. And dance. And poetry. And other forms that engage the right side of the brain.

Relying on feelings too much can get is trouble. But we risk missing out on so much if we live only in logic and reason.

“We dance for laughter,
we dance for tears,
we dance for madness,
we dance for fears,
we dance for hopes,
we dance for screams,
we are the dancers,
we create the dreams.”  — attributed to Albert Einstein

The Violin

Violin BW 2 for web

The following was inspired by true events.


“I WANT TO KEEP MY LEG.”

“Jack, we’ve been through this. Your leg is dying. If we don’t amputate, it could kill you.”

“I want to keep my leg.”

“At the risk of dying?”

“Of course not. Cut the leg off. But I want to keep it.”

“I don’t understand.”

“What’s so hard to understand? When you cut off the leg, instead of throwing it in the trash, put it on ice.”

“We don’t just throw it in the trash. We have a medical incinerator.”

“I want to take my leg home.”

“Why?”

“It’s my leg. Maybe I’ll make it into a lamp.”

“Just sign the papers. You can’t take your leg home.”

“Maybe I want to bury it. Could I take it home and bury it?”

Dr. Irving leaned back in his chair and let out a long, slow breath. “It’s really not practical. How would you even dig a hole?”

“But could I do it? Is it legal?”

“There’s paperwork. It has to be approved by Administration. They won’t likely grant your request, given your circumstances.”

“My circumstances.”

“You know.”

“I’m not crazy, Stuart. I checked myself in to get some rest.”

Dr. Irving forced a smile. There was no point in arguing. He had learned that years ago. When they were both boys.

“Where would you bury it?”

Jack thought for a moment. “I could bury it next to Monkey.”

“Monkey died?”

“Two years ago. I told you. You never listen to me.”

“I’m sorry. I forgot. I forget a lot of things anymore.”

“Monkey’s not dead. I was just testing you.”

“Why would you do that?”

“I’ll bury her next to Zsa Zsa.”

“I know Zsa Zsa’s dead. I went to the funeral.” Dr. Irving shook his head. “Who has a funeral for a cat?”

“Lot’s of people do. Don’t be so insensitive.”

“So you want to bury your leg in your pet cemetery?”

Jack didn’t answer. Dr. Irving took off his glasses and rubbed his eyes.

“Does your head hurt?” Jack asked.

“No. Just tired. I don’t sleep much these days.”

“They have meds for that, you know. New ones. I got to try a couple at the hospital. The other hospital. Bateman.”

“I just need some time off. I’m going to the beach next month.”

“The beach. I never understood that. We’re going to the beach! We’re going to the beach! All that sand. The humidity. No, thank you.”

“I like it. Nothing like sitting on the deck with a cup of coffee watching the sun rise.”

“Are the kids going?”

“No. Just me. I haven’t even told them. I’m afraid they’ll come down.”

“They worry about you.”

“I know.”

“You’re not used to being alone, and yet you’re going to the beach to be by yourself.”

“So now you’re my shrink?”

“It hasn’t even been a year.”

“Yeah.”

“Murrell’s Inlet?”

“No. Outer Banks.”

“Oh.”

“Katie loved Murrell’s Inlet. I can’t go there. I just can’t.”

Jack nodded. They sat in silence for a moment.

“Are you going to give me my leg?”

“It’s a horrible idea.”

“I’m not crazy.”

“I know.”

Jack pushed himself up in the wheelchair and lifted his leg at the knee and crossed it over his other leg. The good leg. He rubbed his knee under the hospital gown. “They say there will be phantom pain. Like the leg is still there.”

“That’s what they say.”

“I hear voices.”

“Uh huh.” Stuart turned to his computer and began typing. The office was small and sparse, not so much as a family photo on the desk. It wasn’t his primary office, just a space in the hospital to access records and process patients.

“I got a new violin,” Jack said.

“I didn’t know you were still playing.”

“I sat on my old one. Just flattened it.”

“So you got a new one?”

“I had that violin since junior high.”

Stuart turned and faced Jack. “The same one?”

“I couldn’t fix it this time.”

“I’m sorry.”

Jack looked down at his leg, black and brown and blue and scaly and crusty.

“Sometimes I wonder what my life would have been like had you not come along that day. They would have certainly finished the job on the violin, and then started in on me. Maybe I just needed a good beating. Maybe that would have toughened me up.”

“Nobody needs a beating.”

“I went to Bateman for the first time after that. I was fourteen.”

Dr. Irving went back to typing. “I didn’t know that.”

“My first trip to crazy.”

“Stop it, Jack.”

“I know. It’s just an illness. Like the flu or diabetes or a rotting leg. But there is a difference.”

“There shouldn’t be.”

“So you say.” Jack touched the dead skin, checking for pain. He felt nothing. “My poor, sorrowful leg. It’s dying. You’re going to cut it off, and you’re either going to burn, or I’m going to bury it, or maybe I’ll just keep it my deep-freeze for a while. Doesn’t really matter. It’s just an appendage. Notice how I refer to it? It. Third party. Objective.”

“You can’t keep it in your freezer.”

“But up here,” Jack said as he tapped his forehead, “that’s me. My mind. My thoughts. My fears. My hopes. Me. Not it. It’s so hard to be objective and say that I just need medicine or therapy or electricity. I had that once, you know.”

“Electroconvulsive therapy can be effective, and overall, I think your treatments have served you well. You’re a bit of an odd-ball, but you’re not crazy. And if you need to drop by Bateman every now and then to get it all sorted out, so be it. You go to Bateman, I go to the beach.”

Jack laughed. “I think you’re the one who’s crazy.”

“You’re probably right.”

“Even so,” Jack said.

“Even so, what?”

“My leg is part of me, too.” He uncrossed his leg. He wheeled to the window that overlooked the parking lot. “Nice view.”

“Even so, what?”

“I don’t have much. No family. Just Zsa Zsa, now. I’ve had two real friends in my life. You and my violin. Now it’s gone. Well, it’s not gone, just a pile of broken wood and strings. My new one is nice, but it has no history with me. And now my body is leaving me, piece by piece.”

“Just your lower leg. Every other body part is fine.”

“That’s easy for you to say.”

“Ok, Jack.”

“Ok?”

“Yeah. I’ll do the paperwork for your leg.”

“You think the hospital will approve it?”

“They will. And if they don’t, we’ll figure something out.”

“Thank you, Stuart.”

“Two conditions, though. First, we’re going to keep it here until you’re discharged. Then the day you go home, I’m coming over to your house and I’m going to bury your leg.”

“That sounds so odd when you say it out loud, Doctor. Even a little nutty. What’s the second condition?”

“You’re coming to the beach with me.”

Jack turned from the window and looked at his doctor, his old friend. Stuart was still pecking on the computer. He wouldn’t look back. It wouldn’t be proper. Not for friends like Jack and Stuart.

“Go on back to your room. I’ve got to make my rounds. I’ll see you in the morning.”

“Thank you, Stuart.”

Jack wheeled himself to the door and started down the hall.

“The beach,” he said in a whisper. “I’m going to the beach.”


copyright 2016, joseph e bird

A prayer for no more rain.

rain sunset 1 for web

It’s been a rough couple of days for some in our area. The rain came fast and hard.

Homes have been destroyed. Lives have been lost. Families will never be the same.

As I write, the sun brings the promise of better days.

It will take a while.

Almost

desk b&w grain for web

One brick.
Another.
Carefully.
Thoughtfully.
Almost.
Just a few more.
Stop.

Forty years ago.
Graphite lines
on vellum
give shape.
Buildings begin
with a stroke
of my pencil.

Turn off.
Unplug.
Gather.
Solemnly.
Almost.
Just a few more.
Stop.

Forty years now.
Wisdom guides
the architect
and builders
so kids
can play
in school.

Resume’.
Send.
Wait.
Anxiously.
Almost.
Just a few more.
Stop.


copyright joseph e bird, 2016

 

 

Time Alone

mountains for web

Listen.

The leaves that rustle in the breeze.
It’s just the stirring of the trees.
To bend and sway at nature’s pleas.
And sing the song of time alone.

The sound of paper as I turn.
The book I’ve read, of life to learn.
My eyes are heavy, this rest I’ve earned.
And comfort in my time alone.

I speak, my friend, but you’re not there.
So many things we used to share.
I sit beside that empty chair.
And curse my hated time alone.

The soul is restless, thoughts fill my head.
Of troubling times, so full of dread.
But there is peace; a prayer is said.
So strong becomes the time alone.

I hear a voice, it’s someone new.
Talk with me and stay a few.
I’ll be your friend, you’ll be mine, too.
And share our precious time alone.

The leaves will fall, no sound to make.
As winter brings the heart to ache.
But know that spring will soon awake.
The gift of no more time alone.


Copyright joseph e bird, 2016

The Beaches

the beaches for web

If it’s the beaches.

If it’s the beaches’ sands you want
Then you will have them.

If it’s the mountains’ bending rivers
Then you will have them.

If it’s the wish to run away
Then I will grant it.

Take whatever you think of
While I go gas up the truck
Pack the old love letters up
We will read them when we forget why we left here.


From The Beaches, by Scott and Seth Avett

 

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