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Joseph E Bird

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dystopia

kmart for web

what’s that building?

it used to be a store.

a store?

people used to go there to buy things.

what kind of things?

clothes.  paint.  medicine.  watches.  televisions.  tools.

why didn’t they just order it?

it was different then.  people wanted to see what they were getting.

why?

i don’t know.  something about feeling the heft of a hammer in your hands.  seeing how a watch looked on your wrist.  or shoes on your feet.

seems like a lot of trouble.

i guess.  sometimes they’d sell hot dogs out front. or brownies.

why?

cheerleaders raising money for uniforms.  veterans helping veterans.

what’s a veteran?

people who went to war defending our freedom.

war is bad, isn’t it?

yeah.  it can get complicated.

why is there so much pavement in front?

people used to drive cars.

you mean ride in cars?

no.  they actually drove cars.  everybody had a car.  they’d keep it at home and drive it to the store.

no way.

yes. and they’d leave their cars all over the pavement while they went in the store and shopped.

that’s just crazy.

maybe.  but it worked.  i met your grandmother in that store.

was she shopping?

no.  she was a cashier.

what’s that?

we used to buy things with money.  dollar bills.  coins.  we’d pay the cashier before we left with whatever we bought.

grandma was a cashier?

i went to the store a lot.  bought things i really didn’t need just for the chance to talk to her.

why didn’t you use an app?

you can’t flirt with an app.

why do you need to flirt?

you don’t.  it’s just part of the dance.

you danced, grandpa?

oh yeah.  we danced, all right.

so what’s with the rocket?

beats me.  we never did figure that out.

rocket for web


The first photo is the former K-Mart in my small town, closed just a few weeks ago.  It’s unsettling how deserted the parking lot is now.  To the right, just out of the frame, a Kroger store continues to thrive, so it’s not quite the apocalypse.  Not yet.  The sign in the second photo is soliciting tenants for the vacant building.  In the background, across the highway on the riverbank, is the rocket of St. Albans.  I’ve lived here all (most) of my life and have no idea why we have a rocket on the riverbank by the highway.


images and story copyright 2018, joseph e bird

 

 

monika

a photograph of monika
her reflection in the glass
of the empty train
as time passes
with the sound
of the wheels
across the steel
of the tracks

there are no conversations
and no hidden meanings
in furtive glances
and no possibility
with the man
with dark eyes
because he’s not there
and never was

a newspaper
is folded on the seat
left behind by those
who have come before
and knew of the day
and of its end
and are now
home quietly

days upon days
and nights upon nights
weeks and
months and
years upon years
the mundane
passing of time
a blessing and curse

waiting and hoping
for meaning
beyond the ordinary
until one person
sees her reflection in the glass
on the empty train
and knows loneliness
no more


copyright 2018, joseph e bird

Kiss me, you fool.

woman with a clarinet

Kiss me, you fool.

Oh, man.

I know she wasn’t talking to me, but, yeah, she was talking to me. I know she was even though she wasn’t. Sometimes you just know.

I ain’t into music. I mean I like rock and roll but that ain’t music, you know what I mean? It’s just rock and roll. What these guys were playing wasn’t that by a mile. I don’t know what you call it, cause I ain’t into music.

The singer was a complete dork with a guitar bigger than he was. And they had one of them big fiddles and another dork slapping on the strings, p-thub, p-thub, p-thub. Some puny fellow with hair sticking up in ever direction played one of them whiny little guitars. And a fiddle player. Regular fiddle tucked under the chin. I would of thought maybe they was a country band, but then there’s the trumpet player, a tall, lanky drink of water who thought he was all that, but to me he was just a goof. Had one of them mufflers stuck in the end of his horn that made it sound weird. So I don’t guess they was country.

It was Jess’s plan. Me and Hoby went along with it cause we pretty much go along with all of Jess’s plans. Usually turns out ok.

Now the fact that I spent the night in lock-up, and the fact that I’m likely gonna spend some time in the house, don’t mean it wasn’t a good plan. Sometimes that’s just how things work out.

Besides, I’d spend six months in the hole if I knew Charlotte was waiting on me when I got out.

Kiss me, you fool.

Yeah, she was talking to me.

Number one, I’m a fool. Always have been. Been hard for me to live a sensible life. Guys like Jess and Hoby come calling and I’m off. More often than not things end in trouble but that’s ok. What’s the point of living if you can’t get into some trouble now and then?

Number two, I’ve always had a way with the ladies. Maybe it’s the bad boy thing. Maybe it’s cause I’m the quiet one. Jess and Hoby always looking for attention. Me, I just sit back and let the game come to me.

So, yeah, it’s only natural that Charlotte would notice.

She was the clarinet player in the band of weirdos. I didn’t know what a clarinet was at the time, just looked like some kind pipe she was holding. Being the only girl in the group, she was hard not to notice. She wore a red dress that fell down below her knees. Dirty brown hair. I don’t mean her hair was dirty, it just kind of colored that way. A little too skinny for my tastes, but she was a girl, so you noticed, even though overall she was kind of plain. At least I thought so at first.  Not the kind of girl that old Connie would hook up with. Conrad, as my mother calls me. My friends call me Connie, which I like all right. It’s good for starting fights with wannabe tough guys.

Hanging in the bar was part of the plan. So that night we’re in El Poopo’s or whatever the name of the joint was. It was the first one we came to when we were walking down the street. The plan was this: We were going to hang out in the bar for a couple hours. Blend in. Just three dudes in the crowd. We was going to wait until the night started to wind down cause it’d be easier to pull off, plus there’d be more money in the till.

I was sitting up next to the end of the bar by myself, which also put me right up next to the stage. When the time was right, Jess and Hoby was to start something. They was going to go at it pretty quick, cause if it was just a bunch of hollering, the bouncer would throw them out before it got going. They had to throw punches and try to drag a few more into it while they was at it. Then, when all hell broke loose, I’m supposed to slide behind the bar and grab some cash. A little fun, a little green. No big robbery or nothing like that, just a little cash and dash.

Ok, yeah, now that I say it out loud, it sounds like pretty bad plan.

Truth is, I don’t think none of us thought we’d go through with it. I figured we’d end up drinking and having a good time and nothing would come of it. And I’d probably been three sheets to the wind had it been a rock and roll band. Hell, I’d probably been three sheets to the wind if Charlotte hadn’t been in that dopey band of flake bats. But she was. And even though she was the only girl in the band, and the more I studied on her, the better she looked, she still hadn’t hooked me. She looked like she was dressed for Sunday morning church. I like my women with a little more edge.

The band had been playing when we got there, some kind of rockabilly that might been respectful if they had played it like Skynard might have played it. They followed that up with some jazz crap that just wasn’t doing it, but there was a lot of them beatnik types with their fashion model beards and their cute little jeans with the rolled up cuffs and they seemed to like the dorky guitar player. Whatever. I ordered another beer.

Then they played a slow song. A sad song. I ain’t into music but I know blues when I hear it and that’s what they launched into. Ok. I could handle that. Dorko was singing and the big fiddle player quit thumping on that thing and plucked the strings soft and slow. Then Dorko quit singing and turned to Charlotte.

I never heard nothing like it. She made that clarinet cry, playing notes long and sad, then a run of notes together going from low to high and back down again, her fingers dancing over them little holes on that pipe. I don’t know how long she played but it wasn’t long enough. Dorko ruined it with his guitar and whiny voice. But it was too late. She’d hooked me.

So I paced myself. Cause in my mind, in my twisted reality, I knew me and her was meant to be. And when I finally get a chance to talk to her, I wanted my wits to be with me.

I looked over at Jess and Hoby and they was talking to some girls, drinking like there was no tomorrow. I relaxed a little, thinking Jess would just forget about the fight and the stealing and just sit back and have a good time. Suited me just fine. Me and Charlotte had our destiny to fulfill.

So the band goes back to whatever crazy music they play. Thumping on that fiddle, goofball tooting his horn. Even Charlotte was into it, but that’s ok. You got to do what you got to do. I couldn’t take my eyes off her. She smiled at me once or twice. Pretty sure. I was hard not to miss sitting so close. I smiled back.

By the time I was on my fourth beer, I was starting to want the night over, hoping the band was winding down and I’d get a chance to work my charms on Charlotte. Jess and Hoby was still going at it, but Hoby looked a little agitated. Dang. Maybe they was going to go through with it after all.

Then the band played something different. Slower. The drummer played a kind of shuffling sound. Made me think of walking by myself on the street, walking up to Charlotte. She’s leaning on the handrail of one of the walk-ups down on Fourteenth Street. Somebody’s singing but it ain’t Dorko. I think maybe it’s the horn player. Got a deep, gravelly voice. And Charlotte sees me from down the street. I’m walking slow, shuffling like the drum. I’m a few feet away. She’s wearing that red dress, but now it don’t look like a church dress, cause she looks too good to be wearing it to church. She’s looking down at her matching red shoes. Then looks up at me, locks eyes with me.

Kiss me, you fool.

Oh, man.

Ok, I know I was just making up the scene in my head, and truth is, maybe I made it up after the fact, but she said those words that night. So smokey, so hot. It was part of that slow song. And when she said it, she was looking right at me. For sure. Right at me. Probably.

Then that gravelly voice was singing again.

I was sweating. Trying to catch my breath. Cause Charlotte does that to me. Every time.

I finished my beer and looked back at Jess and Hoby. They was jawing at each other. Didn’t seem like they was putting on, either.

Please let this be your last song. I’m just about out of time.

Kiss me, you fool.

Oh, man.

Then that tinny trumpet sound and I could tell the song was winding down.

And behind me, a big crash. It was on.

Dang.

I wanted to let it play out. Just let Jess and Hoby get thrown out of the bar. I could tell them later that me and Charlotte had a thing going on.

I looked back at the band they was all watching, their eyes wide. Charlotte, too. Another crash. Hoby threw some dude across a table. Two more got into it. Jess looked at me and winked just as the bouncer grabbed him around the neck and punched him the face.

I had to do my part.

The bartender was down at the end of the bar helping a couple of girls climb over to get out of the way of fight. I took out the small pry bar out of my jacket, slipped behind the bar, opened the cash drawer, grabbed a hand full and started to make my way out. It took all of seven seconds. I was just about at the door when somebody grabbed me by the collar. I looked around and it was the bartender. He looked back to the stage. Charlotte nodded. She ratted me out.

They dragged me out there before I even knew her name.  Course these days stuff like that’s easy to figure out.

That was two weeks ago.  I go before the judge tomorrow for my sentencing. I’m hoping for probation but if he sends me to the house for a spell, I’m ok with that.

I’m cleaning up my act. No more drinking. Not that I was a fall down drunk, and I when I was in the middle of one of Jess’s plans, it was a total blast. But there was always some kind of mess to clean up the next day. And truth is, I’d never have a chance at someone like Charlotte being the low-life thug that I was.

So, yeah, I’m cleaning up my act. No more Jess or Hoby, either. And no more Connie. I’m Conrad now, just like my momma intended.

Speaking of momma, I went to church with her last Sunday. Not sure if church life is for me, but hey, they talk about forgiveness and starting over and hell, that’s a good place to start. Pardon my language. Got to work on that, too.

And someday Charlotte’s going to say it for real.

Come on over here, Conrad.

Kiss me, you fool.

Oh, man.


This story is a work of fiction. Names, characters, places, and incidents are either the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, businesses, companies, events or locales is entirely coincidental.

copyright 2018, joseph e bird
photo credit: iStock

she wasn’t supposed to go there by herself

leaning headstone b&w for web

she wasn’t supposed to go there by herself.
up the steep gravel road,
through the woods
to the clearing
where the old grey headstones
were covered in moss
and leaned toward the earth
as if they were too tired
to stand up straight,
for so long they had stood in testament to
the forgotten lives
of those whose names were
were worn from the stone
by the unrelenting and unforgiving
passage of time.

she wasn’t supposed to go there by herself.
because there were snakes
and yellow jackets
and maybe bears
and at night
across the hollows
voices and laughter and music
and now and then
a gunshot
would echo
from neighbors unknown,
and though the graveyard
was close
it was no place for
a little girl alone.

she wasn’t supposed to go there by herself.
but with the grey, rough tablets
of ancient men
and their wives
and their children,
were smooth slabs
of curved and polished marble
with praying hands
and crosses
and Bible verses
written in script,
and names her grandmother knew
of this cousin and that uncle,
and her grandmother’s husband,
the grandfather she had never known.

she wasn’t supposed to go there by herself.
under the deep shade
cast by towering oaks and maples
where grass wouldn’t grow
and moss and lichens
clung easily to the old stones
and left her grandfather’s grave
untouched by nature,
save for the pollen in the spring
that she would wipe with her finger
from the smooth headstone,
that also promised
that her grandmother would
someday
rest with him.

she wasn’t supposed to go there by herself.
but her grandmother worried too much,
she had never seen a snake
and stayed clear of the bees
and the idea of bears
just seemed silly,
and it was peaceful
always peaceful
and she would talk to God
and ask why other kids
teased her,
though she knew
it was because her clothes
were old and
she was poor.

she wasn’t supposed to go there by herself.
and she sat beside the grandfather
she knew only from photographs,
and read Psalms
from his old Bible
and drew wisdom from the words
that would stay with her
all of her days,
and give her
comfort
through her pain,
and strength
through her weakness,
and courage
through her fears.

she wasn’t supposed to go there by herself.
and when she saw him
she knew her grandmother
had been right,
and she had been foolish,
and as he came toward her
he took a drink
from a bottle
and wiped his mouth
on his sleeve
and laughed,
and she knew
that he had come
from the valley
of the shadow of death.

she wasn’t supposed to go there by herself.
but she would fear no evil
and she always carried a staff,
for walking, she thought,
the iron pipe
from her grandfather’s workshop,
and she stood
and gripped it in both hands
and drew back
and stepped toward him
and swung,
and he screamed as it struck
against his ribs,
and his bottle dropped,
and she ran off the hill.

she wasn’t supposed to go there by herself.
she didn’t tell her grandmother
and she didn’t sleep
for days,
and when the kids
teased her because
she had to tape the soles
of her shoes,
and because she lived
in a shack with her grandmother
because her mother had
killed herself with a needle,
she cried into her pillow
softly,
so her grandmother wouldn’t hear.

she wasn’t supposed to go there by herself.
and it was weeks before she went back
to find her staff,
her grandfather’s iron pipe,
which had given her protection,
and to find the peace
that had left her.
but it wasn’t the same.
she couldn’t read
she couldn’t pray
she couldn’t close
her eyes
because he might
be out there
still.

she wasn’t supposed to go there by herself.
and though she was afraid,
she still went there by herself,
because it was there
she learned of
comfort and strength and courage.
and she would grow
and live far away
from the hollows,
and the kids who teased her,
and she would become a woman
strong in her will and
strong in her faith
and when she was alone
she went there by herself.


copyright 2017, joseph e bird
photo copyright 2017, joseph e bird

tomorrow will come

sid-on-porch-for-web

tomorrow will come, and i’ll sing an old song
and think of the day, that the words came along
i didn’t know then, that song was my last
i didn’t know then, that time flies so fast

tomorrow will come, and i’ll look toward the sun
and remember the spring, when i went for a run
i didn’t know then, that it was my last
i didn’t know then, that time flies so fast.

so remember the day, of all that was good
when youth was forever, we’d play when we would
remember the day, of life with no fears
tomorrow is coming, and with it the tears

.

tomorrow will come, and i’ll think of my friend
and read all the words, that he took time to send
i didn’t know then, that they were his last
i didn’t know then, that time flies so fast

tomorrow will come, and i’ll hear her sweet voice
and laugh at her jokes, her spirit rejoice
i didn’t know then, that her smile was her last
i didn’t know then, that time flies so fast

so remember the day, of our one last good time
when I touched your face, and your hand held mine
remember the day, and when we would dance
for tomorrow is coming, leave nothing to chance


copyright 2017, joseph e bird

Stairway to Almost Heaven

top of steps for web

I’ve been rehabbing my latest running setback (adductor tendonitis, a particularly uncomfortable malady) by biking.  But in search of something that will approximate running, I’ve discovered I can run steps without aggravating my injury.  The best steps in my neighborhood are at the cemetery.

The view from the bottom can be intimidating.

stairs for web

But once you get to the top and turn around, it’s worth the trip.

Almost Heaven, West Virginia.  Even more true in the cemetery.

Colour my world.

color my world

as time goes on…

…colour my world with hope of loving you.

— james pankow, Chicago

 

Brace against the cold.

Dolly Sods 1 (small)

It was a grey day, fitting for a place like Dolly Sods.

It’s not easy to get there.
It’s not easy to climb over the rocks.
It’s not easy to stand there, braced against the cold wind, and take in the views.

The best things in life are seldom easy.


Dolly Sods Wilderness is part of the Monongahela National Forest in north-central West Virginia.

When Clara met Harry.

My old school.  No, not my class.  I’m old, but not that old.

I spent half of my first grade year at the old Central School, which was an elementary school by then. In the photo above, it was the high school in my little town of St. Albans, West Virginia.

Freshmen Nuts, the banner says. Kids being kids, trying to be outrageous for their class photo. Front and center is Sarah Wilson, dressed like a baby with her baby bottle.  The others I can’t really figure out. Behind Sarah is someone in what used to be called a “dunce” hat, which was sometimes used to humiliate misbehaving students. Oh, the psychological carnage inflicted in those days.  To left of the dunce, a student is very proud of whatever he (she?) is holding. Wish I could see it. I’ll bet it’s good.

Then there’s the fiddle player. Kind of looks like a girl to me. She’s holding the fiddle comfortably, knowingly, as if it’s more than just a prop. Like she’d be tearing into Turkey in the Straw at the square dance on Saturday night with her guitar playing father and banjo picking brother.  Her friends would think she’s odd and make fun of her.  Then, in her senior year, a new family from Huntington would move to town to help build the railroad. The oldest son, Harry, is Clara’s age. (Yes, her name is Clara. How do I know that? I’m a writer. I think Clara suits her.) The other kids don’t want much to do with Harry because he’s new and he comes from money. And then there’s Harry’s good looks. He’s just intimidating. Except Clara doesn’t care. He’s the new outsider. She’s been an outsider as long as she can remember.

There’s something about Clara. You can see it in the photo. Harry sees it. She’s no-nonsense. Straightforward. Not afraid to speak her mind.

“You play the violin very well,” he says.

“It’s a fiddle.”

“Yes, of course. I took piano lessons when I was young. Learned a little Brahms. Some Liszt.”

“Uh-huh.”

“Do you ever play any classical music?”

“I’m a fiddle player. I don’t care much about those guys.”

“Uh-huh.”

On the platform behind her, her father plays the first three chords of the next song.

“Got to go.”

She turns to take her place, fiddle under her chin.  She looks back.

“Can you dance?”

Before he can answer, she’s ripping off the intro to the next song, smiling at Harry.

.

Then again, it’s entirely possible that the person in the photo is a guy. But that’s another story.

 

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