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Joseph E Bird

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Literature

The Epic Battle

Yo
Back in the day
I played
a mean game
of
ping pong
I hear ya
You’re laughing
Picturing
your momma
and your
daddy
standing
at the table
lofting lazy volleys
back and forth
gnip gnop
gnip gnop
It ain’t like that
Serious stuff this was
Crazy spins
smokin slams
so fast so fast so fast
feet always movin
strategy and anticipation
flip the backspin
over the top
hit the line
play the edge
workin hard
sweat drippin
on the table
Yeah
Serious stuff, it was,
so long ago.

And then this kid
talking smack
talking his game
I talk back
talking my game
remembering
how it was
so long ago
A table shows up
then the net
then paddles
then balls
I watch him play
he’s good
wicked spins
fast slams
I start eating
my words
playin on my age
slow reflexes
unorthodox style
I ain’t what
I was, I say
But I can’t dodge.

Last night
I’m playin
by myself
hittin
balls off the backplay
tryin to find a rhythm
and he shows up
with his own
personal paddle
in his own
personal case
Last time
I played
someone like that
I got smoked
Time for the truth

The game is on

I win serve
first five points
I hold serve
next five
he holds
but I’m
still ahead
I miss a slam
then I hit one
just like back then
I spin a shot
and he’s in the net
I can’t handle
his serve
and he slams
past me
on and
on
it goes
slams
spins
volleys
cuts
sliders
slams
fast
and
furious
sweat flying

Deuce at 20

i feel good
to have done
this well
but the
kid will
have
his day

More volleys
then he hits
off the table
My add
More volleys
and then he hits
into the net
My game
just like it was
before
I got old

My game

gnip gnop?
Yeah
I’ll show you some
gnip gnop


Editor’s Note:  In the grand scheme of important things in the world, a game of ping pong is waaaaaay down there, and the creative writing describing this non-event is likewise unimportant. The author realizes this. Nonetheless, it amuses him. Besides, you didn’t really think he was another Hemingway, did you?

Obla di, obla da.


copyright 2017, joseph e bird

Writer’s Log – You think you know your characters?

I’ve been writing about Heather for a couple of months now.  You remember Heather, the woman with the two boys, living alone now that they’re out of the house. She studied Avery’s photographs in the coffee shop until she learned that her father was being let out of prison.  I thought I knew her, too.

But when she leaves for Texas to get her father settled in with her brother, she takes a detour to stop and see her ex-husband three states away.  I didn’t know she was going to do that until she started driving. And on the way there, she reveals a little something about herself that I didn’t know. Something a little disturbing.

How can I not know these things?  She’s an invention of my imagination.

There are fiction writing gurus who will tell you to plan your characters meticulously, to know their history, their families, their personalities, their moral standings, even which toothpaste they prefer. I can see the advantage to writing that way. There is less likelihood that your character will do something, well, out of character. These same gurus will also advise you to allow for the possibility that your character might surprise you along the way.

In my previous work, I’ve tried to outline my characters as much as possible. With Heather, as well as the other characters in my story, I’m completely winging it. It’s kind of like I’m along for the ride. What better way to get to know Heather than to spend three days in the car with her?  So, yeah, I was surprised at what I learned.

Then there’s her ex-husband.  I had some thoughts about what he might be like.  Some thoughts about why they weren’t together anymore.  But Heather hasn’t really told me anything about all of that yet, not even in the four hours it took to get to Charlotte.

It wasn’t until they were face to face that I started to see some things.

The front door opened when she was halfway up the sidewalk.

“I’ll be damned.”

He was wearing jeans and a white t-shirt and looked like he hadn’t shaved for a few days. His once-blonde hair was mostly dark brown now with just a little gray around the temples. It was long and unruly and made her smile. He was aging very well.

“Hi, Robert.”

“And out of sky she fell, like an autumn leaf floating on a cool October breeze, my beautiful Heather Girl.”

He was off the porch and had wrapped his arms around her before she made it to the steps.

“It’s so good to see you.”

His voice was almost a whisper, but not quite. A true whisper would have been out of place, maybe a little threatening, a normal voice would have lost the sincerity. It was the perfect intonation, the kind of thing that came natural to Robert Scott. She had no choice but to believe his words.

And so on.

Robert is as much of a surprise as Heather.  I’m glad I didn’t plan these guys out. I really think it would have stifled the creativity.  All of this may be a complete train wreck before it’s through, but I sure am having fun writing it.  Which for me, is the whole point.

questions

Listen to the silence
and think nothing of it
Who was it?
What was said?

Letterings form
inconsequential sentences
For what purpose?
Why?

Words fade
from memory
Did you speak?
Did I hear?

Let those who
have ears
Was it a whisper?
Was it a shout?

Listen to the silence
and think nothing of it.


copyright 2017, joseph e bird

Jazz Poetry

Every now and then I come across someone talking about the writing of Langston Hughes and I have been intrigued enough to add him to my list of authors to read. An African-American writer from the first half the 20th century, Wikipedia describes Hughes as a poet, social activist, novelist, playwright, and columnist, who occasionally found himself in the midst of controversy. The price of being a social activist, I guess.

So I was browsing through the local bookstore this afternoon and came across Selected Poems of Langston Hughes. I picked it up and turned to this poem, which I re-publish here at the risk of copyright infringement.

Bad Morning, by Langston Hughes

Here I sit
With my shoes mismated.
Lawdy-mercy!
I’s frustrated!

There’s more like that, light and unassuming. There’s writing about music, love and romance (love and romance, not necessarily the same thing), life’s annoyances and life’s tragedies, uplifting faith and disappointing lies.

But what makes it all so special is the way he tells it. Sure, there’s the outdated vernacular that might sound offensive to our enlightened(?) ears, but there’s an honesty to the writing, uncluttered with pretense, and a rhythm that is full of life, even in the midst of despair.

Still Here, by Langston Hughes

I’ve been scarred and battered.
My hopes the wind done scattered.
Snow has friz me, sun has baked me.
Looks like between ’em
They done tried to make me
Stop laughin’, stop lovin’, stop livin’ –
But I don’t care!
I’m still here!

At the time they called it jazz poetry.  I can dig it.

Words for a winter’s evening.

Good work from The Shelton College Review.

First, Larry Ellis has this piece that I can hear Garrison Keillor reading on the Writer’s Almanac:

Blackbirds in Winter

Andy Spradling has this philosophical offering:

Body and Soul

Good work, gentlemen.

We need to talk.

a glance of the eye, the innocent look
the curl of your lips, was all that it took

That’s the first two lines of a song I wrote a few weeks ago. The narrator is beguiled by a look, a smile. It’s a wonderful thing, even if upon reflection, it seems a little superficial. Though the moment may come and go, like so many moments in a lifetime, it might be the beginning of a relationship.

we talked without words, there was so much to say

In this case, it was just the beginning. They moved beyond the magical, natural physical attraction, and they talked. They had a real relationship. Because the conversation is the relationship.

In the case of the song, it was a romantic relationship. But the conversation is also the platonic relationship. The familial relationship. The business relationship. The political relationship. The faith-based relationship.

If you want a relationship, you need to have the conversation.

Years ago I had a friend with whom I had one thing in common: our faith. We had long conversations about the fundamentals and the subtleties of our faith. Because of that, we were friends. Our situations changed, however, and he moved away and we lost contact.

Twenty years later, the contact was restored. I quickly learned that we no longer had common ground regarding faith. But there were other things. He was (and still is) an excellent writer. So we had conversations about writing. The relationship was maintained. But over the past few years, we have come to realize that our viewpoints had diverged too far to maintain meaningful conversations about anything. Neither of us said it, we just quit talking. Which is ironic, because he was the one who first articulated that fundamental truth to me. The conversation is the relationship. I still consider him a friend, but we no longer have a relationship.

That kind of thing happens all the time. Maybe Chauncey Gardner was right. Maybe it’s seasonal. Spring, summer, fall, and finally winter, when things go dormant.

And then there are all of you out there in internet land, most of whom I will never meet. At various times, we have joined in conversation about many things: music, writing, faith. Any given exchange may be only one or two sentences, but over the course of weeks, months, and years, we get to know each other because we talk. Sure, it’s in bits and pieces, but we talk. And because of that, we have relationships.

Weird how you can have friends, yet never sit across the table from each other. Never see an expression of surprise or concern or contentment. Never know what their laugh sounds like. Never hear the sound of their voice, even while you’re having a conversation.

Maybe it’s not weird at all. It’s just good.

Here’s wishing for more of the same in the years to come.


Footnote: The author Susan Scott is credited with the concept of the conversation being the relationship. In her book Fierce Conversations, she discusses the importance of the conversation in all relationships.

Ten Rules to be More Interesting

Author’s Disclaimer: The opinions expressed here are opinions and as with most opinions, they cannot be verified by any supporting factual evidence, which is especially true in this case, as the author has absolutely no experience in being interesting. In fact, if he wanted to be factual, he would change the name of the article to Ten Rules for Being Uninteresting, and just describe himself. Maybe he should take that approach and reverse engineer this whole interesting/uninteresting phenomenon.

Here we go.

Rule One: Don’t talk in terms of reverse engineering and don’t use the word phenomenon.

Rule Two: Be the kind of person other people like. There is no how-to for this rule. You either got it or you don’t. But we’re not talking about winning a popularity contest here, we’re talking about being interesting. Apples and oranges. Or at least clementines and tangerines.

Rule Three: Don’t read books by Ha Jin. Or if you do, don’t tell anybody. You’re better off if you know who Doosledorf is. Doogledrone. Dumbledore. I had to look it up. (Google Harry Potter.)

Rule Four: Learn to fish. Talk about small-mouth and walleye. This only works with certain people.

Rule Five: Travel extensively. Trips to Wallback and Big Ugly apparently don’t count.

Rule Six: Shop at Kroger, or whatever big, overcrowded supermarket is in your area. People love to talk about their horrific experiences while being forced to shop at stores with great selection and low prices. Relating your own experience will make you more, well, relatable.

Rule Seven: Shop at Walmart. See Rule Six. Same, but different.

Rule Eight: You know, maybe there’s just seven rules.

Rule Nine: Oh, I thought of another one. Ask people about their favorite restaurants. People love to talk about eating and they will appreciate your interest in their dining habits. Don’t tell them that you think Wendy’s makes great baked potatoes. It will destroy your restaurant street cred.

Rule Ten: When it doubt, play like Chauncey Gardner. “In the garden, growth has it seasons. First comes spring and summer, but then we have fall and winter. And then we get spring and summer again.” Ahhh. Very wise man. Except he really was just talking about gardening, because he was, after all, Chance, the gardener. Peter Sellers in Being There. Stick to Harry Potter.

Why this hillbilly wears shoes.

I’ve got a few ideas I want to tell you about, but there’s something distracting me right now and I need to get it off my chest. (That’s a weird expression. Remind to look that up.) You may not be able to relate to this, but I live in West Virginia, and most of us don’t wear shoes, what with us being hillbillies and everything. But my office has a dress code. We’re required to wear shoes, except on casual Fridays when pert near anything goes. I just threw in that “pert near” as typical hillbilly lingo to add some local flavor to my story. Most of us don’t really talk like that.

I’ve had my shoes on all day. And my knee’s been hurting from running too much. Either that or just one of them getting old things, so I didn’t run today. So I really have had my shoes on from about 7:12 this morning until now, which, according to the clock Steve Jobs gave me, is 8:13. I’ve been home since about 5:24. I stayed a little late because after everyone left the office, I wanted to try out my new guitar amp. There was a guy who used to work for us, but he got tired of having to wear shoes all the time, so he got himself a job in Florida where all he has to wear are flip-flops, or as we used to say back in the olden hillbilly days, thongs.

Rob – that’s the name of the guy who went to Florida to wear thongs – I mean flip-flops (don’t want to plant any untoward images in your mind) – was a guitar player, too, and he had an electric guitar in the office that he’d play around with on his lunch hour. When he left, I told him he had to leave his guitar. Since I was his boss, he had no choice. So he left me the guitar and a pick. But no amplifier. I went up the street the other day to the Fret N Fiddle. That’s what we call music stores here in hillbilly West Virginia. I asked for the smallest amplifier they had. The young feller (more hillbilly lingo) showed me one for $40. Said it ran on batteries. Well, that wouldn’t work, so he showed me another one for $100. I’m way too cheap to spend that kind of money. Then I saw a little amp on the way out that had vacuum tubes. I should have known better. $500. I blame that on the millennials. Even in West Virginia, we have millennial hipsters.

I ended up getting an amp from an online store for $25. I know what you’re thinking. It couldn’t possibly be any good. But I forgot to get a chord. So today I went back up to Fret N Fiddle. They’re closed on Thursdays. Just some random day to be closed, I reckon (lingo). Up the road I went to Gorby’s Music. I had time since I wasn’t running because of the aforementioned sore knee. Gorby’s has been around forever. I got my high school trumpet there, I think. Or maybe it was Herbert’s Music.

I asked the guy at the counter, who looked like a Gorby, if he ever got any Harold Hayslett cellos in the store. Harold Hayslett is also a hillbilly from nearby (actually, he’s the furthest thing from a hillbilly, but I have a theme going here, so we ask that you bear with us) who makes world class cellos and violins out of gopher wood. Just kidding about the gopher wood. The rest is true. I know this because my sister has a cello that he made when he was starting out. The Gorby fellow says he hasn’t seen one in a while and tells me old Harold is still up on the hill. I told him I thought he died. There was a piece on the radio the other day about Hayslett and I thought they said he died but I was wrong. He’s 99 years old and still going strong. It was John Lambros who died. Lambros was another prominent figure from my sister’s cello days in the area and I guess I got them mixed up. Lambros was 98. There might be a connection between music and living a long life.

So I said my goodbye to Mr. Gorby and went back to the office (still wearing my shoes). My lunch hour was over but I plugged in the guitar to make sure my $25 amp worked. It did. At one point in the afternoon I was tempted to take off my shoes and stick my feet under my desk, but at the time, it just seemed like too much trouble. At 5:02, most everyone had left the office so I plugged in the guitar again. At 5:13, someone hollered from the other side of the building to see if I was still there. In West Virginia, we holler, even when we have telephones. I hollered back and said I was, then he left. I had the whole place to myself, so I cranked it up. Then pushed the little button on the amp that made the distortion sound. All of sudden I sounded like a rock star. It was so cool that I kept playing for another fifteen minutes. Then I went home.

I kept my shoes on even then, because once, a few years ago, I took my shoes off at home and was going around in my socks (it must have been winter). And believe it or not, I stubbed my toe on my shoe. One of those freakishly bad stubs. On my shoe. Ironic, yes? Kind of like throwing your back out when you pick up a pillow, which I’ve done. I thought I broke my toe. The big toe, of course. Ever since then, I always wear some kind of shoe until I go to bed.

Ok. I’ve been writing this little story now for 26 minutes. It’s 8:41. My socks are all bunched up in the toes of my shoes and it’s driving me crazy. I can’t wait for that moment, maybe an hour from now, when I get to set my toes free and they can breathe again and escape their leathery prison. I might write a poem about it. No, I won’t.

I sat down here to make some New Year resolutions and I couldn’t get my mind off my uncomfortable feet. Maybe tomorrow. Maybe not.

You didn’t remind me to look up “get it off my chest.”

8:58.

Good night.

today there is peace

christmas-on-the-deck

today there is peace

well, not really
but today, more than any other day,
we want peace

we want the guns to go silent
the bombs to be dismantled
the swords to be sheathed
the fists to be loosened
the anger to be soothed
the hate to find understanding
the trespass to be forgiven
the pained to find comfort
the sick to be healed
the hungry to be fed
the thirsty to have drink
the forgotten to be remembered
the cast out to be gathered in
the lost to be found
the unloved to feel love
the tumult to find peace

today, more than any other day
we want peace

because
years ago a child was born
though not all believe
that he was the son of God
that he was born for redemption
that he was the Christ

though not all believe

today,
more than any other day
we pray for peace


copyright 2016, joseph e bird

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