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Joseph E Bird

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lost in a room

An excerpt from my novel, Heather Girl.  If you’re new, here’s the backstory.  Heather’s elderly father has been paroled from prison in Texas where he’s been serving a sentence for the murder of her mother. He’s suffering from Alzheimer’s, and through a series of unexpected events, he’s staying with Heather until she can make other arrangements. Her brother has died and a friend of her father’s from prison, Darnell, aka Booger, has come to visit.  In this scene, about two-thirds through the novel, Heather, who has her own serious health issues, has taken a nasty fall in the garage of her home, where she found one of her mother’s private journals.


She stood, lightheaded at first, but quickly steadied herself. She tried to move her right arm, but again the pain was unbearable. She knew it was broken. She reached behind her head and felt the knot, then traced the trail of blood down her neck and onto her shirt. The bleeding had stopped, but there had been so much. She would likely need stitches.

She picked up the journal, made her way to the garage door and headed back to the house. The kitchen light was still on. Through the window she saw her father and Booger sitting at the kitchen table, Booger talking, always talking, her father listening but not likely hearing a word he was saying, lost in a room of his own imagination, where the past is the present and the present is whatever he wants it to be and the future is not something to be considered. Booger’s cowboy hat sat on the back of his head as he leaned away from the table, lost in a room of his own imagination, where the past is the past and the present is the prelude to a future of grand possibilities. At that moment, with her very real pain of the present and the haunting anguish of the past and a future dark and bleak, she envied the childlike simplicity of their existence and couldn’t quell the contempt that was borne of jealousy and self-pity.

“Idiots.”

She opened the door and went inside.


copyright 2017, joseph e bird, from the novel Heather Girl.

fight

Focus

I didn’t want to hit him.

I had nothing against him. No malice, no hard feelings of any kind. He had done me no harm.

It surprised me when he took that first swing. His eyes wild, hopped up on something, sweat running down his forehead and into his eyes.

I leaned back a little, dipped to the right and easily dodged his looping attempt to take my head off.

It surprised me even more how quickly he took his second swing, this one coming from his left. It caught me in the neck and knocked me back. It didn’t hurt, but I knew right then I’d have to hit him.

He kept coming at me, wailing away as I covered my head, his punches landing on my arms. Then he stopped.

I peaked out between my arms and saw him standing there, his hands by his side, gasping for air. Some of the crazy had left his eyes. Sweating more than ever. I was hoping he’d just quit.

I dropped my hands. He picked his up and came at me again.

I was ready this time and started to move around the ring, slipping and dodging punches. I was pretty sure he wasn’t going to be able to hit me anymore. There was no way he was going to hurt me. But I also knew that because I hadn’t even thrown a punch, he was ahead on points.

I tossed out a gentle jab, tapped him on the forehead. He threw a wild right. Another jab, square in his face. And another.

Then he charged me. No pretense of boxing, just an all-out street fight. I tried to fend him off, but he ran right through my gloves and into my chest. He grabbed me in a bear hug and tried to wrestle me to the canvas, and in the process, he head-butted me and busted my lip.

So much for a fair fight.

I stepped to my left and swung my torso while I pushed him in the same direction. He stumbled away and almost fell out of the ring. My eyes were watering from the head-butt but I could see clearly enough. He got to his feet and glared at me, readying himself for another charge.

Before he could take a step, I stung him with a jab. A real jab this time, not just a friendly tap on the noggin. It stopped him dead in his tracks. Another one and he wobbled a bit. One more, with feeling.

And he was down.

.

I already knew what I was going to tell Kari. In fact, the lie had already been started.

I told her they needed me to work the second shift, which actually happens now and then. Of course I wasn’t working the second shift, or the first shift, or the hoot owl, for that matter. I wasn’t working any shift. Demand was down, so production slowed and they had to let some of us go. And not just at Maysel No. 2. All the mines were down. So it wasn’t like I could just go somewhere else.

But I was doing what I could. I managed to get a few hours at the prep plant down in Boomer. Even filled in for workers on a road crew in Mingo. But work’s hard to come by right now.

I was hoping I might come out of the fight unscathed, but I had a lie ready for that, too. It’s dark in the mine and it’s not at all unusual to get a few bumps and bruises. A busted lip is a little different, but I could sell it. To Kari, anyway. I was hoping I wouldn’t have to lie to the kids.

She bought it. I think. She didn’t ask any questions when I told her I was off to work the next evening. She even packed my lunch pail.
.

That first night had been like a wild carnival, but those first round fights eliminate most of the drug-crazed loonies. But it was Saturday night and like the old song says, Saturday night’s all right for fighting and there was still enough crazy to go around.

Back in the locker room the handler slipped my gloves on and started to lace them up. The card said I was up against a guy from McDowell County. I asked the handler if he knew him and he nodded toward the guy at the other end of the room. He was already laced up and shadowboxing in front of the mirror.

I knew then that there was a real possibility that I might not make it to the money round.

Not that I didn’t know what I was doing. I learned from my grandfather. Learned about footwork. Learned how to use leverage to throw a punch. Timing with combinations. Defense. And reading an opponent. But that was a long time ago. Gramps had been dead four years now, but it had been even longer – fifteen years, maybe – since I used the skills he taught me.

Gramps fought until he was in his late thirties, just a little older than I am now. He was good. Black Dynamite, they called him. Never made much money. Never could fight his way out of the hollers.

He taught me because he knew I’d need to know how to fight. I wasn’t quite black, which would have brought it’s own challenges, but I wasn’t white either. Got just enough of my mother’s fair skin and my daddy’s brown to put me in my own class of outcast. Half-breed, they called me.

Gramps started training me early and when I turned sixteen, he signed me up for Golden Gloves in Charleston. I did ok, but more importantly, word got out that I was a fighter. Once I survived a couple of challenges by rednecks who just had to see for themselves, everybody left me alone.

.

Turns out the guy from McDowell is more style than substance. We both start out deliberately, because we both think we’re boxers. Proper stance and footwork, moving around the ring in slow circles. He throws a soft jab, not really meaning to hit me, just trying to get things started. He throws another one and his right hand is already dropping. He’s an easy target. He tosses another soft jab. I can see he’s scared. In over his head.

I sting him with a jab and his eyes water up. Another jab and he rocks backward and covers up. I give him a chance to get his head together. Then he tries another jab, this one with a little more velocity, but not nearly enough. I come in over his his right hand with a left hook and it’s all over.

I hear the crowd. A collective ooh. I walk back to my corner, my head down.

I’m in the money round.

.

Gramps killed a man in the ring.

He told me about it after I had quit fighting. Boxing’s supposed to be a sport, but it can get you killed. All it takes is one punch.

I don’t want to have to live with that.

I want this night over. Never again.

.

My next fight was an hour later. If I win, it’s worth $500. That’s why I’m here.

This time I don’t ask about my opponent. I know he’ll be tough. You don’t get to the third round without knowing what you’re doing. I see him for the first time when I step into the ring. He’s at least two inches taller than I am.

Now I’m the one who’s scared.

This fight starts like the last one. Circling, jabbing, but when he throws a jab, he’s not tentative. He’s meaning to hurt me. I slip the first two but the third catches me on the side of the face. I throw a couple of my own but they don’t connect. He throws two more then follows with a right, which I barely duck. I felt the leather skin across the top of my head and I know I’m going to have a burn.

He peppers me with more jabs, each one coming closer to a square hit. He tries the combination again but I’m ready for it this time and have no problem avoiding it. But I can’t get through his gloves. My jabs just meet leather. I try a right cross with the same result.

He flicks another jab. This one on the mouth. He breaks open the cut from last night. I had told Kari that John Boy had poked me with the wrong end of a shovel. I could tell she didn’t believe me. She sure won’t believe John Boy poked me again.

This is not going to end well.

I didn’t see him load up his right hand and it catches me square on the side of my face. The next thing I know I’m looking up at the ref, who’s looking down at me counting. He reaches six and I start to get up and I hear the bell.

I make it to the corner and reach for a towel. Not to wipe my sweat, but to throw it to the ref. I’m outmatched and I could get hurt, really hurt. And if I get hurt, I can’t work.

The second hands me a water bottle.

Go to the body, he says. His hands are so high, you can pound his body all night.

How did I not see that? I wipe my face with the towel.

The bell rings and he thinks he has me. More jabs, which I knew were coming. And the right. This time I go under and step forward. A right to his gut. Then a left and another right. I hear him grunting, trying to push me away. I step back, throw a couple of jabs, then here he comes again.

I step inside and start pounding. He cusses and I know I’m hurting him. I get maybe five or six really good punches before he pushes me away again. Now he’s mad.

Before I can get set he catches me again with another right and down I go. But I don’t feel it like I felt the first one. I’m back on me feet at three. The ref dusts my gloves and I wait for the barrage.

Here it comes. Jab. Jab. Right.

Again I duck under and go to work. His elbows drop to his side and I move toward the center of his stomach. His sweat is dripping all over me, but I keep hitting before he finally clinches and holds my arms.

The ref breaks us up and I step back. His arms are down. He doesn’t want me to hit him in the gut anymore. And I know he can’t throw his jab with his arms down.

I fake a punch to his stomach and he covers up. I launch a left hook. Then a right cross. He’s reeling and I follow up with a perfectly leveraged left hook to the head. The best punch I’ve ever thrown in my life.

And he’s down. He’s not moving. Out cold.

I’m caught up in the sport of boxing, enjoying the moment of victory, the successful strategy, the physical triumph. The crowd is roaring. It feels good. No, it feels great.

He still hasn’t moved.

The referee is kneeling beside him. The ring doctor is there, too. Someone is fanning him.

He still hasn’t moved.

I start to pray. I didn’t even know it at the time, but when I replay the scene in my mind, I was praying.

He still hasn’t moved.

How was I going to tell Kari? How was I ever going to be able to face my kids?

Then I see his eyes flicker, then open slowly. He looks around and they pull him up to a seated position. A couple of minutes later, he’s on his feet.

But that’s it. Five hundred is enough for Christmas presents. I forfeited the championship match.

.

I got home after midnight. Kari was waiting on the couch, the television on, the tree in corner, no presents underneath.

Junior called, she said.

Junior’s my boss.

Said to come back to the mine on Monday night if you want to work the hoot owl.

She knew all along. I could tell. She looked at my bruised face.

Did you win?

I pulled the envelope from my back pocket and handed it to her.

For you and the kids.

We got to do something else, Jimmy. We can’t live like this.

I nodded. There weren’t a lot of options. It wouldn’t be easy. But she was right.

I sat on the couch beside her and she leaned her head on my shoulder.

Somehow we’d figure it out.


copyright 2017, joseph e bird
Photo Credit: iStock

truth in fiction

“The consolation of imaginary things

is not imaginary consolation.”

— Roger Scruton

i miss you, darlin’.

clown 2 for web

Halloween’s never been my thing. With all the genuine evil in the world, do we really need to be celebrating the dark side? I’ll pass on the make-believe macabre, the bed-sheet ghosts, and ouija board spirits. Who needs that when you have real hauntings? It’s a rhetorical question, of course. One that I wish I didn’t have to consider. But it’s not my choice.

It’s been five years now. Three since I moved to Arizona.

We lived in Ohio at the time, Carolyn and I. Chillicothe. We’d been married for a couple of years and life was good. You know, the honeymoon that never ends. We were a good match. I’m a practical guy. Sensible. Reasonable. Just this side of boring. Maybe not even this side. Carolyn was anything but. Everyone loved Carolyn. She was a real free spirit. I loved that about her.

It was fall. For me, that meant football. I would have been happy staying home watching games all weekend, but Carolyn was restless and wanted to get out. She needed a change of scenery, away from the unrelenting flat land of Ohio.  The mountains, she said. The leaves would be at their peak and the weather promised to be nearly perfect, with just a slight chance of rain. I never could resist her enthusiasm. We got up early on Saturday morning, threw a change of clothes in a duffel bag and headed across the border to West Virginia.

We drove for hours, stopping now and then at scenic overlooks, taking pictures of everything. We got to one of the state parks around noon and had lunch in the lodge, then walked it off with a hike to the falls.  There was another park about three hours away and we thought that would be a good place to spend the night, so we jumped in the car and headed west, chasing the sunset, as it were.

We never made it to the park.

River Mills. Such a nice sounding town. Carolyn had been reading the tourist flyers while I drove and she thought she remembered reading something about the town. A restaurant, maybe. She flipped through her stack of flyers, looking for the one that mentioned River Mills, but she never found it. Or course she wanted to stop anyway. I wanted to go on. I was beat. A lumpy state park mattress was calling my name. But it was Carolyn. Her persuasion was hard to resist.

We got off the four-lane and as we drove the seven miles on the winding highway toward River Mills, the sun hid behind thickening clouds and after a few minutes, a light rain began to fall. A mist rose from the warm asphalt.

A worn, wooden sign welcomed us to River Mills. We passed a gas station, closed since forever. Not a convenience store, an honest-to-goodness gas station with a two-bay garage and a glassed-in office where the owner would sell tires and ring up the sale on a cash register and the old men of River Mills would gather and gossip worse than the women ever did. The windows were broken. The gas pumps were gone.

Then another dilapidated building. More busted windows. Faded white paint on red brick spelled out River Mills Hardware.  I began to calculate how long it would take us to backtrack and get to the park.

Just a little farther, Carolyn suggested. I didn’t argue.

Up ahead I saw a traffic light. I took that as a good sign. That traffic light is gone now. At least it was the last time I was in River Mills.  That was four years ago.

The streets were empty.  Not completely empty, but there was a uneasy quiet about the place. Most of the storefronts were vacant. Some of the buildings had been gutted, stripped of walls, floors and even the roof, so that all that was left was the facade and the back wall. We drove past a second-hand shop that might have still been in business, but it was hard to tell for sure. Another store had mannequins clothed in old wedding dresses. There was no sign out front, no name on the glass, nothing to indicate what that was all about.

street for web

We drove on.  Carolyn was sure there was a place to eat. Another two blocks and we came to what looked like an old courthouse. Closed, of course. It was nearing six o’clock, after all, and there was no sign of life anywhere.

And then this.

clown 3 for web

Yeah, Halloween was a couple of weeks away, but this seemed a little over the top for a small town. A little too scary. We both forced a laugh.

They really get into the spirit here, Carolyn said.

Looking back, I think that spirit had always been there. And I know it still is.

The town completely creeped me out. I think Carolyn was feeling the same thing, and just as I was about to suggest that we go on to the park, she saw what she had been looking for. The River Mills Cafe. The lights were on. There were people inside. So Carolyn was right again. Except this time she wasn’t.

We parked out front and went inside. Helen greeted us and showed us to a table. I didn’t know Helen’s name at the time, but I found out later. Helen King. She wore an old-fashioned, yellow shift dress. She smiled as she seated us and then winked at me. She asked us what we’d like to drink. Coffee for me. Carolyn asked if they had hot tea.

Sure thing, honey.

She touched Carolyn’s shoulder. Her hand lingered. Then she left and Carolyn gave me a look that acknowledged the weirdness.

She winked at me.

She winked at you?  What does that mean?

I was going to ask you.

I’ve got to find a bathroom.

She left. Helen brought my coffee.

Where’s Carolyn? she asked.

How do you know her name?

You said, tea for you, Carolyn?

But I hadn’t. At least I didn’t think I had. Maybe I did.

She left and returned with a small porcelain tea pot, a matching cup, and a box of assorted teas. I remember these things distinctly. Ordering hot tea at small diners can be surprising. So I noted the tea pot, the cup, and the box of teas. I remember thinking that Carolyn would be pleased.

Carolyn returned and smiled at the arrangement set at her place. Maybe this would be ok.

I excused myself for my turn to the bathroom.

Hurry back.

I thought nothing of those words at the time. Now I think of them every day.

Hurry back.

After I washed my hands, I looked at myself in the mirror, knowing I was little tired, but thinking I might be able run my fingers through my hair, maybe freshen up a bit for Carolyn’s sake. My reflection was hazy, as if the mist from outside had somehow settled on the glass of the mirror. I pulled a paper towel from the roll on the wall and wiped the glass, but the haze was still there. I tossed the paper in the trash and headed back to the dining room. The haze came with me. I could barely make out Helen standing behind the counter. I stopped and rubbed my eyes and blinked hard. Helen gave me a strange smile. I half expected her to wink again. The haze was slowly clearing from my eyes, but there was soft edge around Helen. A soft, fading edge.

I made my way back to our table. Carolyn wasn’t there.

I looked around. Maybe she went back to the bathroom. Or maybe she saw a gift shop and wanted to check it out. I sat at our table and took a drink of coffee.

The tea was gone. The tea pot, the cup, and the little box of teas. All gone.

Are you ready to order? It was Helen.

Where did Carolyn go?

Who?

Carolyn. My wife.

I’m sorry?

What are you talking about? She was here with me. You brought her hot tea.

Hot tea?

With the tea pot and tea cup.

Helen took a step back. We don’t have hot tea here.

I looked around, knowing that I’d see her. She had to be there. Then I noticed the others were gone, too.

Where’d everybody go?

Everybody?

The other customers. My wife. Where is everybody?

It’s been a little slow today. You’re our only customer this evening.

She must be in the bathroom.

I got up, almost running to the bathroom. I banged on the door and it swung open.

Carolyn?

No answer. I checked the stalls. Nothing. I went back to the dining room.

Where is she? Where is she?

Through the door to the kitchen. An old lady stood over a pot on the stove, stirring. There was no one else. Back to the dining room.

Where is she? My heart was racing.

I went out to the car. There was no sign of her.

Back to the dining room. Helen stood, her arms crossed.

Sir, you came in alone. I would have noticed if someone else was with you.

Why are you doing this? Is there a gift shop close by?

I didn’t wait for an answer. Up and down the streets I ran, looking for some place she might have gone. When I got back to the cafe, a deputy sheriff was waiting for me.

What seems to be the problem, son?

He didn’t believe my story.

I gave him my I.D. and showed him our duffel bag in the car. The flyers. Told him about our trip. How she insisted on stopping in River Mills. He looked me up in the system and confirmed that I was married. But my wife was missing. Last seen by anyone but me a hundred miles away. And just like that, I was a suspect in my wife’s disappearance.

The deputies looked all over River Mills but they were more interested in retracing where we had gone after we had left the park. I spent the night in a run-down motel just outside of town. The next day was more of the same. More searching, more questions, but no answers.

Another night and another day. Then another. Then another.

The deputies grilled me pretty good, but friends back home vouched for our relationship. I know the sheriff’s office thinks I killed Carolyn, but lacking a body, evidence, or a motive, they had no choice but to rule it a missing persons case. For them, a dead end.

I stayed two more nights.

She was gone.

I went back to Ohio, but called the sheriff’s office every day for two weeks. Not a trace, not a clue. I knew I would never see her again. I knew I would never know what happened.

It was a long, cold winter, the kind that keeps you inside and makes you think about things. I couldn’t just give up on her. After the first of the year, I went back to River Mills. I had to find something, anything, that would give me answers. Up and down the snow-covered roads. The town hadn’t changed a bit. The cafe was still open. I saw Helen through the window serving customers wearing that same yellow shift dress. I parked across the street and watched for a couple of hours. I stayed in River Mills all night, cruising the streets, in and out of town. As dawn broke, I found myself sitting on a bench overlooking the river that runs along the highway. Cold, tired, and utterly alone.

Back in Chillicothe, I tried to go back to living a normal life. Well, not normal. There was no such thing as normal anymore. But Carolyn’s words wouldn’t leave me alone.

Hurry back.

I could hear her voice.

Hurry back.

It was more than just something to say. There was tension in the way she had said it. The more I played her words back in my mind, the more I thought about it, the more I knew that it was fear in her voice.

Hurry back.

Did she know? Was it a premonition?

It was fall when I returned. The Halloween decorations were out again. Another scary clown stood staked in the courthouse lawn. And the stoplight was gone.

I spent all day and all night there. This time I talked to Helen. She stood with her arms crossed. Her answers to my questions were cold and unsympathetic. She wanted me gone. I searched the cafe as I had the year before and again found nothing. The old woman in the kitchen sat on a stool, her hands clasped in her lap, and just stared.

I spent the night in a motel in the next town over and the following day I made the rounds through River Mills again. And again, I found nothing. Heading out of town, I passed the same dilapidated buildings. The old hardware store. The gas station. The ramshackle shed that looked like it would fall with a strong gust of wind. I’d passed it probably dozens of times in the last year. But something was different. Graffiti on the side of the shack. Writing. I had gone by too fast to read it so I turned around and drove by again.

I miss you, Darlin’.

Carolyn.

My heart stopped.

It’s what she called me, sometimes. Darlin’. With the g dropped. Country style. Darlin’.

And the butterflies under the message. Her favorite doodle. Butterflies.

I pulled onto the gravel in front of the shed, almost hitting it with my car.

Carolyn!

I stuck my head in the door. It was dark and all I could see was trash and rotting timbers.

Carolyn!

I ran behind the shack, calling her name as I went.

I found a piece of pipe and went back to the front. I kicked the door open and with pipe in hand, made my way through the shack. A black snake hung from rafters. But that was the only sign of life.

I called the sheriff’s office and told the deputy that Carolyn was alive and that they needed to search the area out by the highway.

Just kids, he said. They paint their little love notes all over town.

But the butterflies.

Yeah. Butterflies. 

I stayed three more days. I came back a month later and the message was gone. Not painted over, just gone.

Hurry back.

But I coudn’t. I just had to let it go. For the sake of my sanity.

No more River Mills. No more mountains. No more fall colors. No more hauntings.

But it hasn’t helped. I still hear her. In the still of the desert air, on the cool nights, with a million stars overhead, I still hear her.

Hurry back. I miss you Darlin’.

darlin for web


This story is a work of fiction. Names, characters, places, and incidents are either the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, businesses, companies, events or locales is entirely coincidental.

copyright 2017, joseph e bird

Darnell, aka Booger

From my novel in progress, Heather Girl.  You’ve read part of this before, but I kind of like this guy, Booger.  I hadn’t met him before he showed up at the funeral home. He wasn’t planned; he wasn’t in the story outline. Of course I didn’t really know much about Heather’s father, George.  He had been in prison for ten years for the murder of his wife, Heather’s mother. I’m friends with Heather, but she never went to see her father in prison, so she was just as surprised as I was to see Booger show up at her brother’s funeral. And there he was, this fast-talking, not-so-bright Texan, telling Heather things she didn’t really want to hear. She had already made her mind up about her murderous father. She has no use for the other side of the story.


There was little to talk about. All had been said in the days before, so they sat quietly and waited. Heather closed her eyes.

The double doors to the large room were in the back and had been propped open, so there was no tell-tale squeak that she might have otherwise heard.  The carpet muffled the footsteps that on hardwood or tile would have given notice as his worn cowboy boots clopped down the aisle. But as it was, she had no clue that anyone had entered the room, much less that he had managed to position himself just a few feet away, until she heard her father speak.

“Booger.”

She thought it was just an expression of frustration of some minor annoyance that had caught his attention. Maybe a button was loose on his suit jacket. Maybe one of the lights in the ceiling of the funeral home was burned out. Maybe he was just bored. She didn’t even open her eyes. Then the voice she didn’t know.

“Hey, Pops.”

He spoke in an energetic clip, combining the two words into one. By the time she opened her eyes he had slapped her father on the shoulder and was in the midst of a frenetic monologue that didn’t require any acknowledgement from George to keep going.

“You doing ok? Look at you in a suit. Beats that orange all to hell, don’t it. Me, I’m more country and western. Check this out.” He stuck his thumb in the gap of his shirt where the buttons usually are and pushed it toward George. “See them snaps? Mother of Pearl. Pretty slick, huh. That’s as bout as fancy as I’m going to get. Anyways, I got out a few days after you did and once I got settled down a bit, I wanted to look you up, make sure you was doing ok and all. I got a hold of your PO and she told me you was up here in Virginia and she told me all that happened and I came up here to tell you how sorry I was bout your boy. You was real good to me in lockup, Pops. Helped me keep my head on straight.”

“West Virginia.” She had been watching him, this ex-con, who was holding a new, stiff cowboy hat in his right hand and waving it as he spoke, as if he were trying to swat a fly. He seemed a little daft, this long-haired middle-aged man who hadn’t bothered to shave in at least a week, and she quickly surmised that he was very likely to return to lockup for getting in a bar fight or smoking weed on a street corner. Just didn’t seem all that bright. She looked back at the coffin in front of her.

“Beg pardon, ma’am?

“West Virginia, not Virginia.’

“Yes, ma’am. I’m sorry. I never was very good with geography.”

“Hey, Booger, you going to preaching today?”

Booger turned back to her father.

“No, Pops. Ain’t no preaching today. It’s Tuesday.” Then to Heather, “He never could keep his days straight. Course that ain’t unusual in lockup. You tend to lose perspective, you know.”

“I suppose.”

“I’m Darnell, ma’am.” She had no choice but to shake his hand and was surprised by his delicate, almost feminine touch. Prison tattoos, letters that looked like they were scrawled with a felt-tip pen spelled GOD on the first three fingers on his right hand, followed by an exclamation mark on his little finger. She tried to steal a look at his other hand but couldn’t see what she was sure would be the first half of the message.

“Heather.”

“You his daughter?”

She nodded.

“Never knowed Pops had a daughter. Course he couldn’t much remember his boy, either. Pops was real good to me. You have a fine father, ma’am.”

“How?”

“How what?”

“How was he good to you?”

He studied on the question and she could tell she wasn’t going to get much of an answer.

“It’s a bit of a story, ma’am.”

“We have time.”

“Ok. Well let’s see, then.”

There was a chair between Heather and Micah, and Darnell sat in it without asking.  He reeked of cologne.

“These must be your boys.” He turned and shook their hands. “Call me Booger. I been called that since I was a kid. You can probably figure out why. Bad nickname but it stuck.”

The boys forced a smile but didn’t offer anything to the conversation besides their names. Booger leaned back in his chair and folded his arms.

“Anyways, let me tell you about Pops.  I got into a little bit of trouble.”  He stopped and laughed.  “I guess that’s how all prison stories start, don’t they.”

Booger was the only one who found that amusing.

“So yeah.  I ain’t never been in trouble like that before, but I got into some drugs and got busted a few times but I kept going back for more. And them drugs, Lordy, they get hold of you and won’t let go. You do anything to keep that feeling going. That’s where I was, just staying high all the time. Course them drugs, they ain’t free and even if I could have held down a job it wouldn’t had paid enough for what I needed, so I took to stealing. I just took stuff that people didn’t need anyways, least that’s what I told myself. Leaf blowers and trimmers and things like that. I was out one night, just coming down off a high and running around a neighborhood seeing what I might could take, and this feller comes up on me. Scared me. I had a shovel in my hands. Never could remember why I had a shovel. I couldn’t sell a shovel for nothing. Just never made no sense. But he scared me so bad I swung around and whacked him in the head. I didn’t ever want to hurt nobody and had he not snuck up on me I probably would have just run off. I wish I had.”

He stopped talking and Heather looked at him, then her father, who had fallen asleep with his chin on his chest. Darnell closed his eyes and bit his lip, and sniffed a little before he opened his eyes and continued.

“I didn’t kill him. Might have been better if I had. Messed up his brain real bad. That poor man ain’t worth nothing no more. If I’d killed him, maybe his family could get some insurance, and maybe they’d just put me on death row and I’d be dead by now, living with my Lord and Savior Jesus Christ, praise God.”

He looked toward her father and saw that he was asleep.

“He does that a lot. Anyways, they sent me up and I knowed I was going to have a tough time. I mean I was scared like I never been scared before.  I ain’t no criminal and don’t know how to fight so I figured I’d just be somebody’s girlfriend, if you know what I mean. I don’t think I could of took that. So when I get there, I see old Pops, sitting by himself in the mess and I went over and sat with him. Best thing I ever done.”

“Why is that?”

“I didn’t know it at the time, but Pops was protected.”

“Protected?”

“Yes, ma’am. Both ways. He paid the hacks and they passed some down to the cons and rounders. Pops was the gravy train, yes, ma’am, he was. Only I didn’t know it. I just sat down with Pops cause I didn’t think he would shank me right off.”

“Hacks?”

“The guards, ma’am.”

“He paid the guards money?”

“Well, yes ma’am, in a indirect way, I guess you could say. It was arranged on the outside.”

She shook her head. “McGhee.”

“Beg pardon?”

“George’s attorney. His trustee. McGhee. He’s the one on the outside that sent the money.”


copyright 2017, joseph e bird

When Clara met Harry.

My old school.  No, not my class.  I’m old, but not that old.

I spent half of my first grade year at the old Central School, which was an elementary school by then. In the photo above, it was the high school in my little town of St. Albans, West Virginia.

Freshmen Nuts, the banner says. Kids being kids, trying to be outrageous for their class photo. Front and center is Sarah Wilson, dressed like a baby with her baby bottle.  The others I can’t really figure out. Behind Sarah is someone in what used to be called a “dunce” hat, which was sometimes used to humiliate misbehaving students. Oh, the psychological carnage inflicted in those days.  To left of the dunce, a student is very proud of whatever he (she?) is holding. Wish I could see it. I’ll bet it’s good.

Then there’s the fiddle player. Kind of looks like a girl to me. She’s holding the fiddle comfortably, knowingly, as if it’s more than just a prop. Like she’d be tearing into Turkey in the Straw at the square dance on Saturday night with her guitar playing father and banjo picking brother.  Her friends would think she’s odd and make fun of her.  Then, in her senior year, a new family from Huntington would move to town to help build the railroad. The oldest son, Harry, is Clara’s age. (Yes, her name is Clara. How do I know that? I’m a writer. I think Clara suits her.) The other kids don’t want much to do with Harry because he’s new and he comes from money. And then there’s Harry’s good looks. He’s just intimidating. Except Clara doesn’t care. He’s the new outsider. She’s been an outsider as long as she can remember.

There’s something about Clara. You can see it in the photo. Harry sees it. She’s no-nonsense. Straightforward. Not afraid to speak her mind.

“You play the violin very well,” he says.

“It’s a fiddle.”

“Yes, of course. I took piano lessons when I was young. Learned a little Brahms. Some Liszt.”

“Uh-huh.”

“Do you ever play any classical music?”

“I’m a fiddle player. I don’t care much about those guys.”

“Uh-huh.”

On the platform behind her, her father plays the first three chords of the next song.

“Got to go.”

She turns to take her place, fiddle under her chin.  She looks back.

“Can you dance?”

Before he can answer, she’s ripping off the intro to the next song, smiling at Harry.

.

Then again, it’s entirely possible that the person in the photo is a guy. But that’s another story.

 

Appalachian Spring

Larry Ellis posted this over at Home Economics. It’s a great description of where we live, in the heart of Appalachia.

At the end a character is introduced and then left standing there. The story of Jack Sampson is told in Larry’s award-winning novel, In the Forest of the Night.
_________________________________________________________

His ancestors settled in the central Appalachians without a thought for aesthetics. They came not for the beauty or value of this place, but only to escape from servitude and second-class citizenship in those cities to the north where their own forebears had landed as indentured servants. This new land to the south was steep, overgrown and not particularly amenable to the plow, but it was away from those engines of commerce and social institutions that had benefitted those to whom they were beholden and had just as certainly kept them a class away from full participation in the new nation’s economy.

The weather here was no more inviting than the soil. The winters were long and damp and made of days and weeks of snow so deep that travel was nearly impossible and in the summers the heat and humidity and insects were relentless. No one who had the luxury of considering the comforts a location might afford would have chosen to live here. There were no beautiful waterfronts and no rolling, thousand-acre spreads of black soil. All of life was closed in to narrow valleys and closed off to the flow of goods and information common to the new cities on the coast.

Those who came to escape the cities paid no heed to the hardships the land and the weather imposed, but lived their short lives together on subsistence farms, learning how to hunt and what to gather in the vast forests that surrounded their villages.

The generations brought change, of course. When those in the north learned that this land was rich in coal, oil and gas, industry came to Appalachia and the tiny villages became small towns and small cities and some made enough money to move themselves back into the mainstreams of commerce and society in the cities of the eastern plain..

It was, and is, an unromantic place. There are no ancient gardens or master artworks on display. There are no homes of famous artists or statesmen and no classic myth to fill the air with mystery.

But in the spring, something happens that no one who settled here saw coming and no one who has not lived here knows of or could even imagine. There are days in April when the scent of the blossoms all over the forests – the tulip poplar flowers, the lilac buds, the honeysuckle, the white blooms of the apple and plum trees, the new buds of the sycamore and the birch – all are lifted from the mountainsides in the softest breezes and the new warmth of the spring sun dries the stones on the edges of the creeks and branches and sends into the air cleansing mineral aromas and the trees on every hillside unfold in new green and soft rains fall and the forest floor thaws and releases the essence of the earth into the air. There are a thousand varieties of tiny plants that sprout under the canopy of the forest in these days. Only the Shawnee knew them. Only the Shawnee had given them names. They are tender and live only for days and in those days they release their own perfume, each a different, subtle taste. The clouds part and the grey of winter disappears and the sky is clear and high above the hawks soar and wheel on the gentle, warm thermals. The sun glistens on the rivers and those rivers run for those few days green and blue like the purest emeralds and sapphires. It is a season all its own, hidden from those who give names to such things, and in those few days the romance of this rugged place is enough to fill the longings of men’s souls and to ignite in their hearts even deeper longings.

It was in this time, in the middle of these days, that Jack Sampson fell in love.


Copyright 2017, Larry Ellis

The garage.

I recently attended the Design and Equipment Expo in Charleston and met a local photographer, Emily Shafer, who specializes in industrial photography. She has a creative sensibility and transforms ordinary images from the blue collar world in to works of art. Like a set of greasy Craftsman tools.

The next day I walked across the street to the mall and saw signs outside the Sears store announcing its closing. I went in and browsed a little, but there wasn’t much left. Empty shelves where the Craftsman tools used to be. With all of that, I couldn’t help but think of a scene I had written in my novel, Heather Girl.

Heather is traveling to Texas to see her father, who has just been paroled. She stops for gas in Montgomery, Alabama and has car trouble. A man and his son are watching (and eventually offer to help). As she’s trying to figure out what the problem is, she remembers learning about cars in her father’s garage.


She turned the key and the engine turned slowly a couple of times but didn’t start. She turned the key again. Same thing. And again.

She popped the latch on the hood and got out of the car. The boy looked up, then looked away. She opened the hood and looked at the battery.

Always start with the battery.

Her father’s voice. What was it now, thirty years ago?

Easiest thing to check, easiest thing to fix.

The smells of the garage came back to her. Warm, oily smells. There was a gas heater on the back wall and in the winter, there was always a hint of unburned fumes, but most of the time it was tools and parts and greasy rags that made the garage feel heavy and comfortable. The same garage that now is more of a storage locker. Her father’s tools went with him when her parents moved across town, then were sold when they moved south to escape the cold winters of the mountains. She and Robert bought the family home.  Robert took over the garage as his own workshop, complete with a table saw and other carpentry tools. His tools are still there, but are never used. Boxes of boys’ forgotten toys and yard sale finds make it nearly impossible to even see them. She keeps the lawnmower by the door, along with a few garden tools, and every spring makes the same promise that she’ll never keep to throw out the junk and put some order to the mess.

Despite everything, she found it hard not to think back to when the garage was truly a place for parking the family car, and for the weekend project of rebuilding the brakes or cleaning the carburetor or putting in a new radiator. Her dad had a natural genius for such things, part of the reason he was a good engineer. She loved being around him when he was working. It was when he seemed most content. Anything could be fixed.

She learned by watching, and when it became apparent that her brother Wayne had more interest in music than cars, she became her father’s tomboy grease monkey. She never learned enough to really diagnose a car’s problem, but she could change the oil, put in new spark plugs, and even tinker with the timing. She also learned why he enjoyed that kind of work so much, aside from the peace of the garage. Parts that didn’t work properly were thrown out, never to be seen again. Repair manuals didn’t lie. And the tools were always faithful.

If she had one of those old crescent wrenches, maybe the big one that had been used so much that the brand imprinted on the handle had worn away, she could tighten the nuts on the battery terminal. Though she knew that wasn’t the cause of the problem. She looked at the engine and tugged at the battery cables. They seemed tight. Not much corrosion. More than likely the battery was dead.


copyright 2017, joseph e bird

jazzing up a classic

Editor’s Note:  I’ve been on a jazz kick lately and I remembered this post from a couple of years ago. In case you missed it the first time.


Dig it.

There’s a club in London called the Troubadour. It was founded in the 1950s and has hosted legendary musicians through the years. It’s also famous as a hangout for writers and artists and coffee-house poetry.

Finger snap.

Picture this: Stanley Kubrick had a favorite table at the Troubadour back in the early 60s. He comes in, sips espresso, takes in a poetry slam, and works on his screenplay for 2001: A Space Odyssey.

In 1968, his seminal film is released.

“Open the pod bay doors, HAL.”

“I’m sorry, Dave. I’m afraid I can’t do that.”

Far out.

Featured in the film was the music of Richard Strauss, specifically, Also Sprach Zarathustra, which, interestingly, is a tone poem. Look that up in your Funk and Wagnalls (Laugh-In reference).

In 1972, the jazz musician Deodato put out his take on the classic, which was later featured in the Peter Sellers film, Being There.

“As long as the roots are not severed, all is well. And all will be well in the garden.”

Heavy, man.

So for all you poets out there, put on your black turtleneck and beret, go back in time, and tap your toes to the groovy, jazzy, coffee-house version of Also Sprach Zarathustra by Deodato.

Dig it.

 

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