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Joseph E Bird

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romance

Kiss me, you fool.

woman with a clarinet

Kiss me, you fool.

Oh, man.

I know she wasn’t talking to me, but, yeah, she was talking to me. I know she was even though she wasn’t. Sometimes you just know.

I ain’t into music. I mean I like rock and roll but that ain’t music, you know what I mean? It’s just rock and roll. What these guys were playing wasn’t that by a mile. I don’t know what you call it, cause I ain’t into music.

The singer was a complete dork with a guitar bigger than he was. And they had one of them big fiddles and another dork slapping on the strings, p-thub, p-thub, p-thub. Some puny fellow with hair sticking up in ever direction played one of them whiny little guitars. And a fiddle player. Regular fiddle tucked under the chin. I would of thought maybe they was a country band, but then there’s the trumpet player, a tall, lanky drink of water who thought he was all that, but to me he was just a goof. Had one of them mufflers stuck in the end of his horn that made it sound weird. So I don’t guess they was country.

It was Jess’s plan. Me and Hoby went along with it cause we pretty much go along with all of Jess’s plans. Usually turns out ok.

Now the fact that I spent the night in lock-up, and the fact that I’m likely gonna spend some time in the house, don’t mean it wasn’t a good plan. Sometimes that’s just how things work out.

Besides, I’d spend six months in the hole if I knew Charlotte was waiting on me when I got out.

Kiss me, you fool.

Yeah, she was talking to me.

Number one, I’m a fool. Always have been. Been hard for me to live a sensible life. Guys like Jess and Hoby come calling and I’m off. More often than not things end in trouble but that’s ok. What’s the point of living if you can’t get into some trouble now and then?

Number two, I’ve always had a way with the ladies. Maybe it’s the bad boy thing. Maybe it’s cause I’m the quiet one. Jess and Hoby always looking for attention. Me, I just sit back and let the game come to me.

So, yeah, it’s only natural that Charlotte would notice.

She was the clarinet player in the band of weirdos. I didn’t know what a clarinet was at the time, just looked like some kind pipe she was holding. Being the only girl in the group, she was hard not to notice. She wore a red dress that fell down below her knees. Dirty brown hair. I don’t mean her hair was dirty, it just kind of colored that way. A little too skinny for my tastes, but she was a girl, so you noticed, even though overall she was kind of plain. At least I thought so at first.  Not the kind of girl that old Connie would hook up with. Conrad, as my mother calls me. My friends call me Connie, which I like all right. It’s good for starting fights with wannabe tough guys.

Hanging in the bar was part of the plan. So that night we’re in El Poopo’s or whatever the name of the joint was. It was the first one we came to when we were walking down the street. The plan was this: We were going to hang out in the bar for a couple hours. Blend in. Just three dudes in the crowd. We was going to wait until the night started to wind down cause it’d be easier to pull off, plus there’d be more money in the till.

I was sitting up next to the end of the bar by myself, which also put me right up next to the stage. When the time was right, Jess and Hoby was to start something. They was going to go at it pretty quick, cause if it was just a bunch of hollering, the bouncer would throw them out before it got going. They had to throw punches and try to drag a few more into it while they was at it. Then, when all hell broke loose, I’m supposed to slide behind the bar and grab some cash. A little fun, a little green. No big robbery or nothing like that, just a little cash and dash.

Ok, yeah, now that I say it out loud, it sounds like pretty bad plan.

Truth is, I don’t think none of us thought we’d go through with it. I figured we’d end up drinking and having a good time and nothing would come of it. And I’d probably been three sheets to the wind had it been a rock and roll band. Hell, I’d probably been three sheets to the wind if Charlotte hadn’t been in that dopey band of flake bats. But she was. And even though she was the only girl in the band, and the more I studied on her, the better she looked, she still hadn’t hooked me. She looked like she was dressed for Sunday morning church. I like my women with a little more edge.

The band had been playing when we got there, some kind of rockabilly that might been respectful if they had played it like Skynard might have played it. They followed that up with some jazz crap that just wasn’t doing it, but there was a lot of them beatnik types with their fashion model beards and their cute little jeans with the rolled up cuffs and they seemed to like the dorky guitar player. Whatever. I ordered another beer.

Then they played a slow song. A sad song. I ain’t into music but I know blues when I hear it and that’s what they launched into. Ok. I could handle that. Dorko was singing and the big fiddle player quit thumping on that thing and plucked the strings soft and slow. Then Dorko quit singing and turned to Charlotte.

I never heard nothing like it. She made that clarinet cry, playing notes long and sad, then a run of notes together going from low to high and back down again, her fingers dancing over them little holes on that pipe. I don’t know how long she played but it wasn’t long enough. Dorko ruined it with his guitar and whiny voice. But it was too late. She’d hooked me.

So I paced myself. Cause in my mind, in my twisted reality, I knew me and her was meant to be. And when I finally get a chance to talk to her, I wanted my wits to be with me.

I looked over at Jess and Hoby and they was talking to some girls, drinking like there was no tomorrow. I relaxed a little, thinking Jess would just forget about the fight and the stealing and just sit back and have a good time. Suited me just fine. Me and Charlotte had our destiny to fulfill.

So the band goes back to whatever crazy music they play. Thumping on that fiddle, goofball tooting his horn. Even Charlotte was into it, but that’s ok. You got to do what you got to do. I couldn’t take my eyes off her. She smiled at me once or twice. Pretty sure. I was hard not to miss sitting so close. I smiled back.

By the time I was on my fourth beer, I was starting to want the night over, hoping the band was winding down and I’d get a chance to work my charms on Charlotte. Jess and Hoby was still going at it, but Hoby looked a little agitated. Dang. Maybe they was going to go through with it after all.

Then the band played something different. Slower. The drummer played a kind of shuffling sound. Made me think of walking by myself on the street, walking up to Charlotte. She’s leaning on the handrail of one of the walk-ups down on Fourteenth Street. Somebody’s singing but it ain’t Dorko. I think maybe it’s the horn player. Got a deep, gravelly voice. And Charlotte sees me from down the street. I’m walking slow, shuffling like the drum. I’m a few feet away. She’s wearing that red dress, but now it don’t look like a church dress, cause she looks too good to be wearing it to church. She’s looking down at her matching red shoes. Then looks up at me, locks eyes with me.

Kiss me, you fool.

Oh, man.

Ok, I know I was just making up the scene in my head, and truth is, maybe I made it up after the fact, but she said those words that night. So smokey, so hot. It was part of that slow song. And when she said it, she was looking right at me. For sure. Right at me. Probably.

Then that gravelly voice was singing again.

I was sweating. Trying to catch my breath. Cause Charlotte does that to me. Every time.

I finished my beer and looked back at Jess and Hoby. They was jawing at each other. Didn’t seem like they was putting on, either.

Please let this be your last song. I’m just about out of time.

Kiss me, you fool.

Oh, man.

Then that tinny trumpet sound and I could tell the song was winding down.

And behind me, a big crash. It was on.

Dang.

I wanted to let it play out. Just let Jess and Hoby get thrown out of the bar. I could tell them later that me and Charlotte had a thing going on.

I looked back at the band they was all watching, their eyes wide. Charlotte, too. Another crash. Hoby threw some dude across a table. Two more got into it. Jess looked at me and winked just as the bouncer grabbed him around the neck and punched him the face.

I had to do my part.

The bartender was down at the end of the bar helping a couple of girls climb over to get out of the way of fight. I took out the small pry bar out of my jacket, slipped behind the bar, opened the cash drawer, grabbed a hand full and started to make my way out. It took all of seven seconds. I was just about at the door when somebody grabbed me by the collar. I looked around and it was the bartender. He looked back to the stage. Charlotte nodded. She ratted me out.

They dragged me out there before I even knew her name.  Course these days stuff like that’s easy to figure out.

That was two weeks ago.  I go before the judge tomorrow for my sentencing. I’m hoping for probation but if he sends me to the house for a spell, I’m ok with that.

I’m cleaning up my act. No more drinking. Not that I was a fall down drunk, and I when I was in the middle of one of Jess’s plans, it was a total blast. But there was always some kind of mess to clean up the next day. And truth is, I’d never have a chance at someone like Charlotte being the low-life thug that I was.

So, yeah, I’m cleaning up my act. No more Jess or Hoby, either. And no more Connie. I’m Conrad now, just like my momma intended.

Speaking of momma, I went to church with her last Sunday. Not sure if church life is for me, but hey, they talk about forgiveness and starting over and hell, that’s a good place to start. Pardon my language. Got to work on that, too.

And someday Charlotte’s going to say it for real.

Come on over here, Conrad.

Kiss me, you fool.

Oh, man.


This story is a work of fiction. Names, characters, places, and incidents are either the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, businesses, companies, events or locales is entirely coincidental.

copyright 2018, joseph e bird
photo credit: iStock

across the room

she smiles at him from across the room.
she means nothing.
well, of course she means something,
because she’s the kind of person
whose heart can do nothing
but smile,
because she’s the kind of person
who cares and loves and can do nothing
but smile.
even at this young man
who is a stranger who she will
never see again.
and because he is there,
she smiles.

and he will think of her
in the days to come
and will visit the coffee shop
again and again in hopes of catching
her smile
once more.
and he will think of her
in the weeks and months and years to come
because one day she made him
feel worthwhile
and he will love her
forever.

ok.
maybe not forever.
that’s a really long time.
and it’s not really love.
but, he thinks,
given the chance,
it might have been.
because he can’t help himself.
anything is possible.


copyright 2017, joseph e bird

on the brink

talk that is shocking with mocking and hawking
they say what they will, and neither one’s balking
cross over this line, i ain’t gonna blink
so much to lose, with war on the brink

minds that know all and know all to be
tell us what’s best, ‘cause we just can not see
your way is right, and there’s no other way
my voice must be silenced, i can’t even pray

.

so sing me a song
of the girl with the smile
whose laugh will stay with me
and linger a while

sing me a song
of our walk on the shore
i’ll think of her touch
and worry no more

.

fear that is chilling with a spirit unwilling
to stand for what’s right, and stop all the killing
the innocent too, will fall to their fate
because even the good, they must desecrate

hate that is righteous and noble and pure
just ‘cause you say it, does not reassure
love is a concept you can’t comprehend
and meek is a virtue that you won’t condescend

.

so sing me a song
of the girl with the smile
whose laugh will stay with me
and linger a while

sing me a song
of our walk on the shore
i’ll think of her touch
and worry no more


copyright 2017, joseph e bird

when you’re here

when you’re here
the world becomes so quiet
and we just can’t deny it
we’re meant for evermore

your voice
sounds like an angel choir
and takes me so much higher
than i ever could before

since you
found me
on that day

,

your touch
sends my heart to racing
when we are embracing
my feelings i can’t hide

please smile
and i’ll know that together
no storm we can not weather
if you’ll be by my side

since you
found me
on that day
,

so stay
we’ll laugh beneath the moonlight
and dance until the daylight
falls gently on your smile

we’ll live
and think not of tomorrow
when parting brings our sorrow
let’s love a little while

,

since you
found me
on that day

your love
is with me
every day


copyright 2017, joseph e bird

Between Us

There is distance
Between us
And no distance
Between us
When I see you
And you see me

And there are no words
Between us
But there are volumes
Between us
When your glance
Meets mine

Our hearts beat
Between us
And breathless
Between us
I know you
And you know me

There are feelings
Between us
And emptiness
Between us
Because I don’t know you
And you don’t know me

There is loveliness
Between us
And loneliness
Between us
Because our time
Was only a moment


copyright 2017, joseph e bird

talkin’ trouble

Hey, boy.
I ain’t no boy.
Hey, boy.
What?
Where ya’ goin?
Get some coffee.
Is that all?
It’s all I want.
You sure?
Don’t play with me.
Who says I’m playin?
That’s the problem.
No problem, boy.
I ain’t no boy.
I know that.
You want coffee?
I’m a lady.
Ladies don’t drink coffee?
Chamomile.
Whatever.
Can I walk with you?
To get some coffee?
Tea.
Come on.
And a biscuit.
See. Right there.
What?
That smile.
So?
Trouble. Deep trouble.

The Ballad of the Boy from Quincy

Quincy RR yard-1917 adjusted
Railyard at Quincy, WV, circa 1917

He hopped a train out Quincy way
Rode with his brothers, to earn the pay
Stayed in the city, and worked all day

That’s how it was back then
And he’d do it all again

Just to spend his life with her.

.

She lived a ways on down the road
But went to town, to pay what’s owed
Ate lunch with pie, a la mode

At the big department store
She left there wanting more

Hoping he would come her way.

.

One day he rode the train past town
Jumped off the car when it slowed down
Hurt his leg when he hit the ground

And limped across the street
Saw a bench and had seat

And waited for the pain to fade.

.

The people gave him looks of scorn
His shirt was dirty, his pants were torn
They didn’t like him, he could have sworn

He held his eyes down low
Hoping it wouldn’t show

That he was just a kid from the sticks.

.

Down the way was the streetcar stop
Next to a tiny soda shop
He thought he just might get a pop

And then be on his way
Forget this maddening day

And go back to his home in the hills.

.

She was standing on the other side
Asking what he had in mind
He knew right then she’d be his bride

As crazy as it was
That’s just what true love does

Because their story had just begun.

.

What happened to you, you fall off the train?
You look to be in quite some pain
You kinda slow? Don’t have much brains?

At that he simply smiled
You’re wrong a country mile

I’m the sharpest man you’ll ever meet, today.

.

He bought a drink to quench his thirst
Not sure which was best, or which was worst
His bold approach was unrehearsed

He’d never met a girl like her
His mind was such a blur

But somehow, he’d make it work.

.

He found his wit, they were matched so well
He had fallen, to her spell
Her beauty, he couldn’t wait to tell

To all his friends back home
And he’d never be alone

It was just a matter of time.

.

They were wed for sixty years
Through the laughter and the tears
And then his greatest fear

She was gone in dawn’s first light
And lonely was the night

And his heart would never heal.

.

Now he’s left, he’s gone back home
Not to Quincy, not to be alone
No more trains, no more to roam

They’re walking side by side
Their love again his pride

Together evermore.


copyright 2017, joseph e bird

Galveston

pier for web

Heather is on her way to Houston to see her father, who she hasn’t seen in ten years. On her way, she took a detour to Galveston to try to find the pier that was the scene of her mother’s death. In Galveston, she is befriended by Lucas, a no-nonsense oil rig worker probably 20 years older than she is.  He helps her through a medical crisis and in their brief time together, they become close. In this scene, Lucas is driving her from the hospital to her car, where she will continue her journey to Houston.


Lucas drove a Jeep. Of course he did. The hospital was only a couple of miles from the shore and they rode silently, the only sound the buzzing of the tires on the wet roads and the flip-flap of the windshield wipers.

All necessary information was exchanged back at the hospital. The doctor had been in before Lucas had arrived, so she told him everything, as if he was her parent. It was comforting to talk to an older man, one who seemed gentle and kind and wise. Naivete had left her on a warm Fourth of July evening thirty years ago and she knew that Lucas had an attraction to her and that being with her was more than just an act of kindness. But that was ok. She had a similar attraction to him, despite his age. But she knew and he knew that their relationship, however brief it would turn out to be, was founded on something deeper than a superficial physical appeal. Even so, just as the setting sun can bring a moment of pleasure, or the taste of freshly baked bread can offer a passing contentment, so it is with the inexplicable feelings that simmer just beneath the surface when the ancient instincts draw one to another, despite all logic and reason. Sometimes it’s just there, not to be acted upon, but to savor in the moment and to store away as a memory for the lonely, hollow days that surely lie ahead. And as they stood in the rain and hugged, Heather knew that it was more than a courteous embrace that they shared. Maybe she could stay a little longer. Maybe she could return to Galveston when the business with her father was complete. When she kissed his cheek, she thought it was a real possibility. It wasn’t until she was driving along the Gulf Freeway that reality started to nibble at the edges of the romantic vignette that she had allowed her imagination to paint.

He had to be in his sixties and though he appeared healthy, heart disease or cancer or some other ailment was likely lurking around the corner. His future was short. Not that hers was any better, and she was already showing signs. Hers would be a lingering illness; his, one and done. Not a very promising future, for either of them.

She drove west, knowing she would never return to Galveston.


copyright 2017, joseph e bird

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