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Joseph E Bird

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free verse

kangaroo

old shoes
cheap booze
jumping like a kangaroo

gimme this
gimme that
ink another tattoo

i’m bored
ignored
hatin’ like a warlord

pop a pill
do the shot
headin’ for the psyche ward

the lambs are young and still so
innocent
their dreams are pure and hope is
infinite
the shepherd’s blind and speaks with
insolence
the wolves are close, destruction
imminent

sweet bread
silk thread
actin’ like a godhead

drive your ‘vette
fly your jet
all i got is cornbread

it’s not fair
you gotta share
baby needs the daycare

give me yours
and i’ll have mine
i don’t want no welfare

the lambs are young and still so
innocent
their dreams are pure and hope is
infinite
the shepherd’s blind and speaks with
insolence
the wolves are close, destruction
imminent

low pay
you say
i don’t need it anyway

take from her
give me his
all about the green way

lip sync
group think
preachin’ just a hoodwink

yes i do
no i don’t
throw me in the precinct

the lambs are young and still so
innocent
their dreams are pure and hope is
infinite
the shepherd’s blind and speaks with
insolence
the wolves are close, destruction
imminent

hard rain
fast lane
working up the food chain

i will work
sweat my brow
i don’t want no slow train

take a stand
hold my hand
a better way we should demand

pray for peace
and sweet release
let’s walk into the promised land

the lambs are young and still so
innocent
their dreams are pure and hope is
infinite
the shepherd’s blind and speaks with
insolence
the wolves are close, destruction
imminent


copyright 2020, joseph e bird

have a bowl of fruit loops

to touch is to risk death
to breathe unfettered is
irresponsible
don’t stand so close to me
because if you do
one of us
or someone else
might die before their time
so let’s live
in fear
or maybe in the hope
that this too will pass
and one day we can hug
and see smiles
and hear laughs
and sing loudly
and irresponsibly

and it’s all so serious
and it really is
and the times are trying
and desperate
and depressing
and stressful
and unsettling
and so serious

so light the candles
for breakfast
and have a bowl of fruit loops
because there is joy
in the freedom of
just being a goober
so embrace those moments
that take you by surprise
and smile at the loveliness
because now
is what we have


copyright 2020, joseph e bird

gone crazy, girl

purple mountains laced in haze
holding back the morning rays
singing possibilities
that echo through the hills

morning peace and your sweet grace
to live as one for all our days
freedom ringing endlessly
for all the world to hear

but you’ve gone crazy, girl
you got lazy, girl
so full of anger, girl
you know i’ll never leave

can’t call you baby, girl
won’t let me hold you, girl
can’t even love me, girl
you know i’ll never leave

the days are growing shorter now
dimming on forgotten vows
words are spoken bitterly
to blunt enduring hope

you say you’ve not abandoned me
you want what’s best, i just can’t see
you shout so condescendingly
it makes it hard to hear

but you’ve gone crazy, girl
you got lazy, girl
hard to love you, girl
you know i’ll never leave

someday you’ll see, it could be worse
you’ll sing the song and write the verse
and play the music fervently
the righteous to uplift

but you’ve gone crazy, girl
you got lazy girl
don’t want to know me, girl
you know i’ll never leave

or maybe you’ve just lost your mind
the damage done, too far maligned
we’re dying unrepentingly
the setting of the sun

but you’ve gone crazy, girl
you got lazy, girl
won’t let me pray for you, girl
i hope i’ll never leave


copyright 2019, joseph e bird


she is america. faking dylan, as larry would say.

solomon plays

I don’t dance
I can’t dance
I don’t know how to dance and never will
But sometimes
Things just happen

I wasn’t there to dance
At this little dinner club
Where through the old sagging glass
I watch the river flow lazy
As it always has and will forever

I’m not from here
Not that it matters
And maybe that’s why this place is special
No one knows me
No one cares

I eat alone, as always
Steak, medium well, baked potato
I don’t drink except for when I’m here
Ice cold beer
From the tap

And here
All is well, peaceful
My other life, mistakes I’ve made, mistakes to come
Is miles upriver, coming for me
But not here yet

Most everyone is coupled up
A group of four or party of six
If I’m the object of pity or curiosity I don’t care
Because the steak is good
And the solitude comforting

In a far corner
A black man named Bob plays jazz on the piano
While a skinny white boy named Solomon blows a saxophone
Lipton’s on guitar
And Jupie lays down the beat

I know their names
But to them
I’m just a guy by the window eating a steak
Maybe not even that
And that’s how it should be

Somewhere in New York
Or Singapore
The same scene is played out with different actors
But no better than
Right here, right now

Yes, another beer
So I don’t have to leave
Because across the room with the party of six
Sits a woman
Alone

She’s in the company of others
A man works to keep her attention
And though she is with him and smiles on cue
She’s not really with him
And she knows I know

And Bob plays slowly
And Jupie taps the high hat
And the couples can’t resist as they move to the center of the room
And embrace politely
And sway as Solomon plays

And Savannah dances too
Though that’s not her name
But it should be because it’s a beautiful name
They dance as two
Who will never be one

She knows I’m watching
And I smile
And she smiles and we both sense the same thing
And we both know
That possibilities are impossible

And the song ends
And most sit
As the tempo changes and dancing is less forgiving
They, like me
Don’t dance

My glass is empty
My time is done
And I look to her table and she’s not there
And as I lay my napkin beside my plate
I look once more

I see her as I walk across the room
Walking toward me
And we meet in the center of the room, the music daring us
And I accept the dare
And reach for her hand

Her right hand in my left
My hand on her waist
And we move slowly to the beat, and she is smiling
And I don’t know what I’m doing
But it feels right

I pull her hand in front of us
And her momentum
Sends her into a soft twirl, her hair flying toward me
And as she comes back, I pull her close
And I kiss her

She blushes
And behind me I hear gasps
From the table of six and I can imagine their looks
Though I’ll never know
Because hers is all that matters

The music plays
But I release her soft hands
And I won’t even turn to look as I walk away
And I know I’ll never go back
As Solomon plays


copyright 2019, joseph e bird

This story is a work of fiction. Names, characters, places, and incidents are either the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, businesses, companies, events or locales is entirely coincidental.

no place for a young girl

Every year about this time we go to the cemeteries and clean the graves of those who have gone before. It makes you realize how fast time flies. Has it really been that long? And then there are all those forgotten graves. What was their story? Maybe this.


she wasn’t supposed to go there by herself.
up the steep gravel road,
through the woods
to the clearing
where the old grey headstones
were covered in moss
and leaned toward the earth
as if they were too tired
to stand up straight,
for so long they had stood in testament to
the forgotten lives
of those whose names were
were worn from the stone
by the unrelenting and unforgiving
passage of time.

she wasn’t supposed to go there by herself.
because there were snakes
and yellow jackets
and maybe bears.
and at night
across the hollows
voices and laughter and music
and now and then
a gunshot
would echo
from neighbors unknown,
and though the graveyard
was close
it was no place for
a young girl alone.

she wasn’t supposed to go there by herself.
but along with the grey, rough tablets
of ancient men
and their wives
and their children,
were smooth slabs
of curved and polished marble
with praying hands
and crosses
and Bible verses
written in script,
and names her grandmother knew
of this cousin and that uncle,
and her grandmother’s husband,
the grandfather she had never known.

she wasn’t supposed to go there by herself.
under the deep shade
cast by towering oaks and maples
where grass wouldn’t grow
and moss and lichens
clung easily to the old stones
and left her grandfather’s headstone
untouched by nature,
save for the pollen in the spring
that she would wipe with her finger
from the smooth marble,
that also promised
that her grandmother would
someday
rest with him.

she wasn’t supposed to go there by herself.
but her grandmother worried too much.
she had never seen a snake
and stayed clear of the bees
and the idea of bears
just seemed silly,
and it was peaceful
always peaceful.
and she would talk to God
and ask why other kids
teased her,
though she knew
it was because her clothes
were old and
she was poor.

she wasn’t supposed to go there by herself.
and she sat beside the grandfather
she knew only from photographs,
and read Psalms
from his old Bible
and drew wisdom from the words
that would stay with her
all of her days,
and give her
comfort
through her pain,
and strength
through her weakness,
and courage
through her fears.

she wasn’t supposed to go there by herself.
and when she saw him
she knew her grandmother
had been right,
and she had been foolish,
and as he came toward her
he took a drink
from a bottle
and wiped his mouth
on his sleeve
and laughed,
and she knew
that he had come
from the valley
of the shadow of death.

she wasn’t supposed to go there by herself.
but she would fear no evil
and she always carried a staff,
the old iron pipe
from her grandfather’s workshop,
heavy and cool,
and she stood
and gripped it in both hands
and drew back
and stepped toward him
and swung,
and he screamed as it struck
against his ribs,
and his bottle dropped,
and she ran off the hill.

she wasn’t supposed to go there by herself.
she didn’t tell her grandmother
and she didn’t sleep
for days,
and when the kids
teased her because
she had to tape the soles
of her shoes,
and because she lived
in a shack with her grandmother
because her mother had
killed herself with a needle,
she cried into her pillow
softly,
so her grandmother wouldn’t hear.

she wasn’t supposed to go there by herself.
and it was weeks before she went back
to find her staff,
her grandfather’s iron pipe,
which had given her comfort,
and to find the peace
that had left her.
but it wasn’t the same.
she couldn’t read
she couldn’t pray
she couldn’t close
her eyes
because he might
be out there
still.

she wasn’t supposed to go there by herself.
and though she was afraid,
she still went there by herself,
because it was there
she had learned of
peace and strength and courage.
and she would grow
and live far away
from the hollows,
and the kids who teased her,
and she would become a woman
strong in her will and
strong in her faith
and though she was never alone
she went there by herself.


copyright 2017, joseph e bird
photo copyright 2017, joseph e bird

still they come

we are the land of the oppressed

and still they come

we are the land of the unfair, the unjust, and the selfish

and still they come

we are the land of the destitute, the marginalized, the ignored

and still they come

we are the land of prejudice, and bigotry, and hatred

and still they come

we are the land of assault, and theft, and murder

and still they come

we are the land of toxic waste, and foul air, and undrinkable water

and still they come

we are the land of filthy cities, the homeless, and needles in the playground

and still they come

we are the land of division, and tribalism, and democracy in decline

and still they come

we are the land of despair, and shattered dreams, and lost hope

and still they come

we are the great Satan, the imperialist nation, the evil America

and still they come

.

we are the land of friendships, and neighbors, and welcoming strangers

and still they come

we are the land of charity, of goodwill, and acts of kindness

and still they come

we are the land of giving, and helping, and sacrifice

and still they come

we are the land of your faith, of my faith, or no faith

and still they come

we are the land of mountain majesty, of fruited plains, and sparkling rivers

and still they come

we are the land of small towns, and family farms, and shining cities on the hill

and still they come

we are the land of hard work, and opportunities, and reward

and still they come

we are the land of dreaming, of possibilities, of anything can happen

and still they come

we are the land of the underdog, and second chances, and comebacks

and still they come

we are the land of the brash, the home of the brave, and defender of rights

and still they come

we are the inspiration of yesterday, the bread for the day, and the hope for tomorrow

and still they come

.

we are the land of hopelessness and hope

we are the land of the poor and the rich

we are the land of the atheist and the faithful

we are the land of oppression and liberty

we are America

and still they come


copyright 2019, joseph e bird

Our Fathers

scan0004

Most are not leaders of nations.
Most are not creators of wealth.
Most are not icons of art.
Their names will not be written in the annals of history.

But without them, we would be nothing.

Their fathers worked with pride as pipe-fitters and welders and electricians.
Their fathers mined coal and dug ditches and toiled with dignity.
They did what was necessary to provide food and shelter and clothes.
They did what was necessary to provide hope for a better tomorrow.

Tomorrow came, and it was better,
and the sons and daughters of the fathers went to school
and became teachers and writers and lawyers and engineers.
They became fathers and mothers themselves
and likewise provided for their families.

They did all of this without the need for attention,
without the need for adulation,
without the need for self-aggrandizement.

Fathers persevere and sacrifice.
They do what needs to be done.
They are good and honorable.

No, not all fathers.
Some abandon.
Some abuse.
Some give up.

It’s not about gender roles.
Sometimes the mother is the father.
Sometimes she is both.

It’s not about being the breadwinner.
It’s about being strong for the family.
It’s about providing direction to those who wander
and encouragement to those who strive.

Now they rest,
their work less strenuous,
their lives less demanding,
and they sit quietly,
content to let others lead.

They have lived simply.
They have lived nobly.
They have given their all.
They are our fathers.


copyright 2019, joseph e bird

 

a bird lights on the ground

we sit
the two of us
at a table outside
on this warm evening

there’s not much to be said
because we’ve spent our words
and must wait for others
to come forth
and they will
because they always do

so we listen
to the birds flitting
in the trees
and the cars driving by
and to the people around us
talking

and we hear words spoken
but not sentences
and not stories
their words are simply
sounds that soften
the edges of our silence

the nothingness
is peace itself
and it holds us still
and a bird lights on the ground
next to our feet
and cocks its head

at the next table
a young girl offers the bird a crumb
and the young man who is with her smiles
and though they talk
we hear nothing
but their easy voices

and we sit
the two of us
at a table outside
on this warm evening


copyright 2018, joseph e bird

this morning

fog for web

this morning the skies are gray and the air is warm and dry like a mid-summer day.

this morning i stopped at Tim Horton’s and got a cup of oatmeal and a black coffee.

this morning i sit in my office planning for a day of phone calls and emails, and too little design.

this morning when i was young i worked outside tilling the soil and tending the plants and earning callouses on my hands.

this morning the birds call out in the quiet, reminding me of the days i worked the earth and toiled in sweat.

this morning it’s quiet inside, but soon the phone will ring and my day will start and i’ll forget this thought.

this morning i want to go outside and hoe the ground and smell the richness of the compost and eat lunch in the shade.

this morning the train rumbles on the tracks two blocks away and the bus roars by and and a siren wails.

this morning, like any other morning.


copyright 2018, joseph e bird

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