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Joseph E Bird

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it’s a west virginia thing

The temperature and humidity were rising as she drove farther south and just outside of Montgomery she stopped for gas at a convenience store, filled her tank, and went inside for a cold drink. When she came back out, she paid no attention to the car parked at the pump behind her.

“West Virginia, almost heaven.”

She turned to look. A black man, about her age, wearing a tattered ball cap. He was smiling,

She gave him a friendly look and unlocked her car.

“Your license plate.” He pointed to the back end of her car. “I’m from there.”

She stopped. She couldn’t resist.

“Where?”

“McDowell County.”

It was a West Virginia thing. If you’re from southern West Virginia, you’re identified with your county, not your town. Mingo County. Boone County. Lincoln County. McDowell was the poorest of the poor. She didn’t have to ask why he left. The decline of the coal industry affected everyone in southern West Virginia. As the jobs left, the drugs came in. Anybody with any hope for the future left. At least that’s the way she saw it.

“I’m from Charleston.”


copyright 2018, joseph e bird, from the novel, Heather Girl

breakfast at the diner

The truck horn reverberated through the car, through her skin, through her bones. Without conscious thought, she knew what it was and knew that the impact was imminent. She squeezed the steering wheel and her body stiffened as she looked in her rearview mirror and saw nothing but the ever-growing front grill of a massive truck. The impact never came and for a moment she thought that he must have already hit and was pushing her down the highway. Then the horn blasted again and the truck backed off.

She looked ahead. All was clear. A car blew by her on the left, the horn blaring. She looked at speedometer. She was only going forty-five. She passed a speed limit sign. Seventy. Another blast from the truck behind her and she pulled onto the shoulder.

Her hands were shaking.

She didn’t remember getting on the interstate. Didn’t remember pulling out of Robert’s driveway. Didn’t remember getting in the car. The last thing she remembered was his hand on hers.

She put the windows down and turned off the engine. She sat for fifteen minutes, the cool air swirling her hair every time a car went by. Her hand shook. She told herself it was just nerves, but she knew that was a lie.

She took the next exit that promised lodging. In the distance she saw MOTEL in white, glowing letters and drove past the national chains to the two-story block building with rooms that opened onto a parking lot that was shared by a waffle house. She had seen worse. She asked for a room on the second floor, even though it meant carrying her bags up the flight of stairs. On her second trip, she noticed a man and a woman sitting in a pickup a few cars down from hers. She was halfway up the stairs when her left leg buckled and had she not been able to steady herself with the bag she was carrying, she would have gone down. She glanced back at the pickup. They were still watching. The woman had those eyes. Too big, too wide, too alert, too something. Too long on meth, more than likely. Haunting eyes. Predator eyes. It didn’t matter. She wouldn’t leave the room until the next day.

Inside, she turned on the television for some white noise. She lay on the bed fully clothed, covered only with a blanket from the car. Even so, she fell asleep almost immediately and slept until dawn.

Because it was a Sunday morning she knew traffic would be light in Charlotte and make for a less stressful drive until she got back on a long stretch of interstate. She looked out the window and was relieved to see the pickup truck gone. She checked out and walked across the parking lot to the waffle house. There were only a few people in the restaurant so she took a table by the window and while she waited on her order, she mapped out her day’s travel on her phone.

Breakfast smells. Bacon, coffee, toast, sweet syrups. There was a constant clatter of plates and clinking silverware, muffled conversations. A man and a woman two tables away shared an easy laugh, probably over an inane comment, Heather guessed, that if made four hours later, would be annoying, but because their sensibilities were rested, anything said would benefit from an extra measure of forgiveness. She understood. Morning grace, as it were.

It had been a long time since Heather had shared such a morning. She thought back to her life with Robert and remembered the early days before the boys, where even after a hard night she would fry some eggs and bacon in the closet of a kitchen in their tiny apartment. They drank a lot of tomato juice back then to help ease the headaches. Then her mother died. She changed, and Robert didn’t. So she threw him out and the house immediately became more serene. Breakfast alone can be relaxing, but a peace shared is a gift. So she sat at her table in the waffle house, enjoying the ambiance of a loving home, even if it was a store-bought substitute.

“No, no, no, no, no, no.”

A little boy, maybe up too early. It had been going on for a few minutes, but she hadn’t noticed until the persistence of his cries demanded attention from everyone in the restaurant.

“Jacob.” His mother’s voice, from the table beside her. “Jacob, eat your waffles.”

“No, no, no, no, no, no.”

“Jacob, please.”

She turned without thinking. The boy, maybe five years old, stood across from his mother, fidgeting.

“Sit down.”

“No.”

She turned to the mother and offered a smile of encouragement, before she saw the eyes. Those same eyes, not quite as baneful as last night, but their essence remained unchanged. She was thin, which served to intensify her eyes, and her hair was pulled back from her face and accentuated her hollow cheeks. Her plate was clean, even the yolk from her eggs had been sopped up.

“Eat, Jacob.” She turned to Heather. “He’s a handful.”

“They can be.”

“You have kids?”

“Two boys.”

“Two? I don’t know how you do it. They’re holy terrors.”

She spoke in quick, hurried clips. She was a smoker. At least Heather imagined that she was. She could see her taking puffs in between sentences, dropping the cigarette to the ground before she was through, grinding it with the sole of her shoe. Or maybe carefully snuff out the burning end with a few quick pinches of her fingers to save it for later.

“They can be. Especially at that age.”

Jacob was staring at her, his fidgeting had stopped for the moment.

“Hi, Jacob.”

He was quiet, studying.

“How old are your boys?”

“Mine? They’re grown.”

“Lucky you.”

The woman reached across the table and stabbed Jacob’s waffle with her fork.

“If you’re not going to eat it.”

She gave Heather a shrug, but didn’t bother with a smile. Jacob had moved to the end of the table, standing at the side of Heather’s booth, still staring. His eyes were brown and gentle, and though his blonde hair was uncombed and his shirt stained with food from days past, he had the innocent softness that all children have, despite whatever hell they’re living in.

“It’s your hair. He likes your hair.”

“Do you like my red hair?”

The boy nodded. She patted his head. “I like yours, too.”

He giggled. Then he reached out, took a handful  and pulled it toward him. Heather leaned in his direction.

“Geez, Jacob, don’t pull the woman’s hair out. Get your ass back over here and eat your food.”

Her words, her tone, though familiar, surprised Heather. She had been that way with Robbie, no doubt. For the most part, Micah had had a sober mother.

Jacob didn’t move. He ran his fingers through her hair.

“I give up.” She finished his waffles.

“It will get better.” Heather didn’t know if that was true, but she felt like she had to say it. The odds were greatly against anything getting better. It had taken her own mother’s death to turn things around for her, and even then, it was tenuous for a while. This woman looked to be deep in the abyss, beyond alcohol, probably beyond meth. There were likely needles in the floor of the pickup truck. Jacob’s future wasn’t promising.

“I’ve got to run out to the car. Can you watch him for a minute?”

Before Heather could answer, the woman stood and gulped the last of her coffee. She pulled her sweater up over her shoulders and leaned over and kissed Jacob on top of his head.

“I’ll be right back.”

Heather knew she wouldn’t be. She knew she was leaving.

“Wait.”

It happened too quickly for her to respond. She was out the door. Heather watched as she walked across the parking lot toward the motel. She got in a car. She drove away.

“Oh my God.”

“Where’s mommy?”

Her heart raced. She looked around the restaurant. Nothing had changed. People were still eating. A waiter stood beside a table, one hand on his hip, one on the back of a chair as he chatted with another man, a trucker, judging from his appearance. Another poured coffee for an old man and his wife. The sounds were the same, the smells were the same. Nothing had changed.

“Where’s my mommy?”

The boy had wandered back to his table, to his mother’s chair, pulled out from the table.

“She’ll be back in a minute. She had to run out to the car.”

He turned and looked at her. His expression was hard to read. She half expected that he would realize that his mother had driven off, and in a child’s comprehension of reality, know that she was never coming back. Then the uncontrollable crying would start. Any second now. Except that it didn’t. His expression didn’t change. This had happened before. Which gave Heather hope that his mother would indeed return.

The waiter who had been talking to the trucker brought her breakfast and filled her coffee cup. He looked at the table where Jacob stood and then looked around for his mother. Then he smiled at the boy.

“She had to run out for something. She’s coming back.”

He looked out the window to the parking lot, then set the coffee carafe on the table and started gathering their plates.

Heather looked at the boy.

“Do you like donuts, Jacob?”

He nodded.

“Can you bring us a couple of jelly filled donuts?”

“Sure. We have lemon and berry.”

Jacob smiled for the first time. “Lemon.”

“Why don’t you sit over here while we wait for your mother?”

He slid into the booth and looked up at Heather, his hands in his lap. The waiter returned with two donuts, each one on its own plate. Jacob picked it up without waiting and took a big bite. He giggled.

Heather glanced out the window without turning her head, hoping to see the car pull back into the parking lot. She had probably just gone for cigarettes. Rude and irresponsible, but for a mother on drugs, forgivable.

The two ate without talking, their thoughts undoubtedly on different tracks.

Jacob poked the jelly filling with his finger, then stuck it in his mouth. She would have admonished Robbie or Micah, but she let it go. Anything to keep his mind off his mother.

“Do you go to school?”

He shook his head.

She thought of other things to ask, but she was sure she would get the same response. No brothers or sisters. No pets. No friends. Left for hours in front of the television. Just as she had done with Robbie.

“What’s your favorite show?”

He shrugged. He seemed tired.

“Are you sleepy?”

He yawned.

She glanced out the window again. Nothing.

“What’s your mommy’s name?”

It was a risk, but she had judged correctly that his sleepiness would overrule any worry about his mother.

“Mommy.”

“No, I mean what does your daddy call her?”

“I don’t have a daddy.”

“It’s ok. My boys didn’t have a daddy, either.” Not exactly the truth, but close enough to serve the purpose.

“What do your mommy’s friends call her?”

“Amanda.”

“What’s her last name?”

“Brown.”

“Is that your last name, too?”

“Yes. I’m sleepy.”

He yawned, and then lay down on the bench of the booth.

Heather looked out at the parking lot again, and then back at the restaurant. The elderly couple had left. Her waiter was standing by the cashier counter, his arms crossed, a towel slung over his shoulder.

Ten minutes passed.

Heather walked to the cashier, an older woman with gray, wiry hair. She wore no makeup. Her waiter met her there.

“I’ll pay for both.”

“Do you know her?”

She looked back at the booth, Jacob still asleep on the bench.

“I know her name, that’s all. She asked me to watch him while she ran out to the car.”

“What if she doesn’t come back?”

“Let’s give her until ten o’clock.” Another twenty five minutes.

She went back to the booth. The waiter followed, refilled her coffee cup and gave her a look and a shake of his head that said this whole thing wasn’t going to end well. He was probably right. She was already thinking of what her next move would be. She could call the police, who would probably take Jacob, then call CPS. She could do an internet search for Amanda Brown. She looked over at the motel. Maybe they stayed there last night. She was about to get up and explain to the waiter what she was going to do when her phone rang. It was her brother.

“Well, he’s here.”  Her father.  Their father.  Finally out of prison.

“In your apartment?”

“Still asleep in the back room.”

“What would they have done if you hadn’t agreed to take him?”

“He’d still be in there.”

“It’s where he should be.”

“He’s not well. He’s not who he was when he went in.”

“Having second thoughts?”

“I’m not sure I’m going to be able to take care of him.”

“Send him back.”

“I can’t do that.”

“I’m not taking him, Wayne. I don’t know why you agreed to it in the first place, but there’s no way I’m taking him.”

“It was the right thing to do. He’s our father.”

“He murdered our mother.”

There was a long pause.

“It wasn’t like that. She wouldn’t have wanted the life that was ahead of her.”

“Not his call. He’s a murderer and he should have stayed locked up until he died.”

Another long pause.

“I just wanted you to know.” His voice softened to a whisper. “He’s not well and I don’t know how long he’s got. A year, maybe a couple.”

“Can’t be soon enough.”

“Come on, Pip.”

Jacob rolled a little on the bench and for a second she thought he was going to roll off onto the floor, but he settled against the back rest.

She didn’t want to tell her brother that she was on her way down. That might give him some relief and she needed him to figure things out on his own. She didn’t want him thinking that she was going to be any part of their father’s post-prison life. It was his problem, not hers. It was his father, not hers.

“We’ll talk about it later. I’m kind of in the middle of something here. I’ll call you tomorrow.”

She looked out at the parking lot again and saw more cars, none of them Amanda’s.

The waiter was talking to the cashier. They glanced toward her between words. Where before they had looked at her with sympathetic smiles, their looks had changed, their eyes danced nervously as they tried not to look her way, but they couldn’t help themselves. The cashier shrugged her shoulders and shook her head.

He must have overheard her conversation. What had she said?

The word murder came to mind. Yeah, that might trigger suspicion.

She walked toward them and they stood straight and stiffened as she did.

“That was my brother I was talking to. My father’s been paroled in Texas. That’s where I’m going. It’s a bad situation.”

They relaxed a little, but only a little. In their eyes, she was no longer the good Samaritan. Maybe closer to the woman at the well. But they weren’t Jesus. More like Pharisees. A woman with a murderous father couldn’t have much good in her.

“Can you watch Jacob? I think they stayed at the motel last night and I thought I’d check to see if they had any contact information on her.”

The waiter didn’t speak, deferring judgment to the cashier. Heather looked at her, waiting for a response.

“Do you know the woman’s name?”

“Amanda Brown.”

“I’ll call.” She picked up the phone and found the number in a spiral notebook beside the register. It was a quick conversation.

“The manager wasn’t working last night. He checked the records from yesterday and the only woman registered was a Heather Roth.”

“That’s me. No Browns registered?”

She shook her head.

“I guess we need to call the police.”

The cashier picked up the phone and dialed.

When the cruiser pulled into the parking lot twenty minutes later, Amanda had been gone for nearly an hour and a half. Heather met the two officers outside the waffle house. One was older and had to be near retirement, the other was a young African-American so fresh-faced that he looked like a boy playing cops. The younger officer stood with his arms crossed while his partner spoke with Heather in even tones, showing no shock or surprise at the situation, as if he had encountered child abandonment before, as if he were numb or calloused or simply resigned to the heartless condition of some people. She found his manner comforting.

They ran Amanda Brown through the system. Shoplifting. Petit larceny. Possession. Marital Status: Single.

They said they could put out a BOLO, but she wouldn’t be a high priority. They would take Jacob back to the precinct and call in Child Protective Services. Even if they found his mother, he would likely end up in a group home for a while. She would have a hard time getting him back after abandonment. Eventually, Jacob would end up in a foster home, if he was lucky.

“Can I ride down with him?”

They looked at each other. She sensed she had asked for something that was a breach of protocol.

“Sure. He’s inside, I guess.”

“He’s asleep. Let me go wake him and I’ll bring him out.”

“Get in the car, Wilson.” He gave his cap to the young cop.

Heather went inside.

“Jacob.” She shook his leg. He opened his eyes, looked at her, and sat up. He looked over her shoulder, then back at her.

“Your mother’s not back yet.”

His expression didn’t change.

“We’re going to go down to the police station to wait on her, ok?”

“Is she in jail?”

She took him by the hand and started walking toward the door.

“Where do you live?”

He shrugged and kept walking. “Different places.”

At the station, the officer suggested using the front door so they wouldn’t have to walk past the holding cells. They went through the lobby to another room with a sofa and two upholstered chairs. A television sat on a table across from the sofa.

“You two can wait here. CPS should be here before too long.”

The clock on the wall said 11:55. She was way behind schedule, not that she had a real schedule. Still, she would just as soon get the business with her father over with and get back home. They were in the room ten minutes when the young officer opened the door.

“May I see you, ma’am?”

She followed him down a corridor to a large room full of cubicles where the older officer sat at a desk.

“Ms. Roth.” He wasn’t smiling.

She’d seen that look before. A cop with bad news.

“The boy’s mother is dead. Found her in her car about a mile from the waffle house.” There wasn’t much more to say.

“What’s going to happen to him?”

“It’s still a CPS matter. They’ll try to locate a father. A relative. Maybe his grandparents are around, but in cases like this, it’s not unusual for them to be as messed up as his mother. More than likely, he’ll be put in the foster care system.”

“Can I stay with him until CPS gets here?”

It was another hour before they arrived. She had tried to talk to Jacob, but he was more interested in the cartoon he was watching than talking to her.

“Your mother isn’t coming back.” She hadn’t even thought about saying that, it just came out, and when she said it, she knew she had probably made a mistake. But Jacob didn’t react. Didn’t turn to her. Didn’t cry. Didn’t do anything.

“Did you hear me?”

“Is she dead?”

His eyes were still on the anime characters bouncing around in an unrealistic television world. Then she saw his eyes weren’t moving, weren’t following the action. He was just staring.

She moved close to him and wrapped her arms around him. They sat like that, with her rocking slowly while tears ran down the boy’s face. Soon he was asleep. She held him until CPS arrived and took him away.

The two officers were gone by then. She asked the dispatcher if someone could take her back to the waffle house. She sat alone in the back of the squad car.


copyright 2018, joseph e bird, from the novel, Heather Girl

there will be bad times, brother

shutterstock_224292622 for web

“Although the fig tree shall not blossom,
neither shall fruit be in the vines;
the labor of the olive shall fail,
and the fields shall yield no meat;
the flock shall be cut off from the fold,
and there shall be no herd in the stalls.”

Do you hear me? Do you understand? There will be bad times, brother.
In my eighty-one years, you better believe I’ve had them.
Three years ago I lost Nita.
We’re supposed to get wiser as we get older, and I guess I have.
Even so, loss is hard and lonely.

Here’s what I know.
Listen, now.

“Yet I will rejoice in the Lord, I will joy in the God of my salvation.
The Lord God is my strength and he will make my feet like hinds’ feet,
and he will make me walk upon mine high places.”

I didn’t always know that.
When you’re young, you think the fig will always bloom.
You think there will always be fruit on the tree and cattle in the stalls.
Now don’t be thick-headed. You know what I mean. Even if you’re young, you know what I’m saying.

But this isn’t my story. It’s Trevor’s.
Trevor for sure didn’t know.
To this day, I don’t know if he’s taken hold of the truth.
It’s not profitable for a man to express his faith in these days, and when you’re young like Trevor, you’re not inclined to go against everything the world says is right.
One has to be tried, tested, and hardened by fire.

That boy.
He’s a remarkable boy.

— Maxfield Martin


copyright 2016, joseph e bird, from the novel A Prayer for Rain

writing tip – rearrange the furniture

from January 21, 2017


Last night was one of those nights.  Fell awake around 3:00, finally decided to quit fighting it around 3:30.  I made a cup of tea and sat down in front of the computer. My imaginary friend, Heather, has been stuck in a waffle house for a few days now.  I’m sure she wishes I’d get her out of there.

So at 3:30, I was going to make something happen.

But.

4:00, and she was still there.  I had managed to go back and tweak a few things, made a couple of sentences better. But I was still blocked.

Maybe this is the end.  Maybe Heather never gets out of the waffle house. Maybe nobody cares what happens to her.

I’m 10,000 words in.  Not that much, really, in word count. I’ve abandoned novels at 40,000 words. Except that I’ve taken my time with these words, tried to write them better as I go. So it would be disheartening to pull the plug.

There’s a mother and a kid – a screaming kid – in the waffle house, too. At first, the mother was sitting with her back to Heather. I rearranged the furniture. Now they’re sitting beside Heather, facing each other, so that when Heather hears the kid scream and turns to look, she makes eye contact with the mother. It was an uncomfortable moment.

And then.  And then.  And then.

At 5:00, Heather was still in the waffle house. But things had changed dramatically. I was unstuck.  I went to bed.  I still couldn’t sleep, but it was a more restful insomnia.

Lesson 1: Maybe insomnia has a reason.

Lesson 2: Sometimes you just need to rearrange the furniture.

Lesson 3: Sometimes being uncomfortable is good.

 

Heather Girl (from an alternate universe)

Heather Roth has little to look forward to.

The alien overlords have enslaved Earth’s population.  Her two sons are working for the cyborg underground and her brother is the head of the Benevolent Alien Reconciliation Federation (BARF), which seeks to create a more peaceful world through mind control.  On top of all of this, Heather has a really nasty cold that just won’t go away.

And then she learns that her father is being paroled from the penal colony on Jupiter’s moon, Europa.  Which, as it turns out, is really not a big deal because he’s being assigned to work as a cook on the aircraft carrier Nimitz, which has been repurposed as a floating sheep farm.

Then Heather finds an old guitar, learns three chords and leads a musical revolution based on Nickleback songs.  The aliens leave.

A story of mathematics and free verse, Heather Girl takes the reader on the ultimate emotional journey, culminating in a long nap.

i have to go

“I shouldn’t have come here. I’m sorry.”

He reached across the table and put his hand on hers. She pulled away.

“I need to go.”

“Can’t you stay a little longer?”

There was no guile in his expression. His eyes had turned soft and pleading, his smile gentle and nervous. He was seventeen again, unsure of himself, captivated by the girl with the flaming red hair who could persuade him to do her bidding with her own teasing, alluring smile. He looked at her, a strand of his brown hair in front of his eyes, enticing her to brush it away, to touch his face, to feel his shoulders through his white t-shirt, tempting her to stay, to finish dinner, to find the bottle he had hidden behind the cereal in the cabinet above the refrigerator, to sip and smell the sweet liquor on his breath, and let the evening take them back in time to their wonderful and terrible lives of so many years ago, that would delight the flesh, break the heart, and leave them in ruin.

“I have to go.”

He stayed at the table as she got up and walked out. As she opened the front door, she heard him from the kitchen.

“Heather.”

She closed the door behind her.


Copyright 2018, joseph e bird, from the novel Heather Girl.

into the night

When the last lingering light of day had finally disappeared, she waited another twenty minutes. Then she walked through the automatic doors of the ER, completely unnoticed, into the night.

She headed east, toward the homeless shelters. She had driven through that neighborhood many times during the day, where ragged men with shopping carts gather under the interstate bridge, where young kids, barely in their teens, mingle with older addicts on the steps of the treatment center, where the women who would later stroll the streets sat on the curb smoking cigarettes outside their run-down apartment buildings. In the light of day, they were there, but the street belonged to those whose lives were comfortably insulated from the stench of unwashed clothes and grimy hands with broken fingernails and shattered liquor bottles and needles in the gutter and the ever-present hint of mind-altering chemicals breezing through the air. It belonged to those who shopped at the open-air market and dined at the sidewalk cafes and visited the plush offices of medical specialists that appeared like satellites around the hospital, not far from the free clinic or the street doctors who offered their own cures for those who had no other choice. In the daytime, they were all there together, some living, others waiting.

She walked the first block away from the hospital as she always walked, quickly and with purpose. She crossed the street and onto the sidewalk that fronted a medical office building. She began to slow, not completely sure of her destination. At the other end of the block, behind the office building, the parking lot was almost completely vacant. In the next block, where houses once stood, was another parking lot, this one unpaved and ungated, sometimes attended by a man in small hut, but now the hut was empty. Across the way near the opposite corner two men stood smoking cigarettes.

She kept walking, her hands stuffed in her jacket pockets.

Another block.

A man pulling a hand cart, slight of build with long, stringy hair passed by her without even looking up.

In the next block, a woman stood near the corner, another in the middle of the block on the other side of the street. Heather crossed the street at the corner, avoiding the first woman. The second woman at the middle of the block stepped back, giving her room to pass. They made brief eye contact, each sizing the other up. After she had passed, Heather slowed and finally stopped. She turned back to the woman. She stared back at Heather.

“Yeah?”

Heather took a step toward her. The woman didn’t move. Heather took another step and saw that the woman was too young to be on the street.  A runaway, no doubt. She looked like she hadn’t eaten in a week. Her eyes were wide, accentuated with heavy eyeliner and too much blue eye shadow. She shifted from one foot to another and kept her arms crossed, a habit Heather surmised was developed to hide the needle tracks.

“What do you want?”

“I’m…uh…looking…”

“Get it out lady. What are you looking for?”

“Hydrocodone.”

“You a cop?”

“No. I’ve got a serious health condition. It affects my nerves. I’m just looking for some relief.”

“Right. Can’t help you lady.”

Heather could see that she didn’t trust her. Not that getting busted by an undercover cop would ruin her life. More like an inconvenience.

Heather glanced around and then pulled a bill from her jacket pocket. She made sure the woman saw that it was a hundred, then folded it and tucked into the woman’s hand which was still gripping her arm. The woman didn’t hesitate. She took the bill and stuck it in the back pocket of her jeans.

“You too stupid to be a cop. Hang on.”

She pulled a phone from her front pocket and made a call.

“Hey, Bobcat. I got a woman here looking for tabs. Can you set her up? She’s legit. She’s too scared to be a cop.”

She turned to Heather.

“How much you need?”

That’s something Heather hadn’t considered. She had no idea.

“Twenty?”

The woman spoke to Bobcat, then back to Heather.

“Two hundred bills. You got that?”

Heather nodded.

The woman stuck the phone back in her pocket.

“Two blocks down, take a right. Bobcat’ll be on the front porch.”

“Thanks.”

“Don’t thank me. Curse me.”


copyright 2018, joseph e bird
from the novel, Heather Girl

Kiss me, you fool.

woman with a clarinet

Kiss me, you fool.

Oh, man.

I know she wasn’t talking to me, but, yeah, she was talking to me. I know she was even though she wasn’t. Sometimes you just know.

I ain’t into music. I mean I like rock and roll but that ain’t music, you know what I mean? It’s just rock and roll. What these guys were playing wasn’t that by a mile. I don’t know what you call it, cause I ain’t into music.

The singer was a complete dork with a guitar bigger than he was. And they had one of them big fiddles and another dork slapping on the strings, p-thub, p-thub, p-thub. Some puny fellow with hair sticking up in ever direction played one of them whiny little guitars. And a fiddle player. Regular fiddle tucked under the chin. I would of thought maybe they was a country band, but then there’s the trumpet player, a tall, lanky drink of water who thought he was all that, but to me he was just a goof. Had one of them mufflers stuck in the end of his horn that made it sound weird. So I don’t guess they was country.

It was Jess’s plan. Me and Hoby went along with it cause we pretty much go along with all of Jess’s plans. Usually turns out ok.

Now the fact that I spent the night in lock-up, and the fact that I’m likely gonna spend some time in the house, don’t mean it wasn’t a good plan. Sometimes that’s just how things work out.

Besides, I’d spend six months in the hole if I knew Charlotte was waiting on me when I got out.

Kiss me, you fool.

Yeah, she was talking to me.

Number one, I’m a fool. Always have been. Been hard for me to live a sensible life. Guys like Jess and Hoby come calling and I’m off. More often than not things end in trouble but that’s ok. What’s the point of living if you can’t get into some trouble now and then?

Number two, I’ve always had a way with the ladies. Maybe it’s the bad boy thing. Maybe it’s cause I’m the quiet one. Jess and Hoby always looking for attention. Me, I just sit back and let the game come to me.

So, yeah, it’s only natural that Charlotte would notice.

She was the clarinet player in the band of weirdos. I didn’t know what a clarinet was at the time, just looked like some kind pipe she was holding. Being the only girl in the group, she was hard not to notice. She wore a red dress that fell down below her knees. Dirty brown hair. I don’t mean her hair was dirty, it just kind of colored that way. A little too skinny for my tastes, but she was a girl, so you noticed, even though overall she was kind of plain. At least I thought so at first.  Not the kind of girl that old Connie would hook up with. Conrad, as my mother calls me. My friends call me Connie, which I like all right. It’s good for starting fights with wannabe tough guys.

Hanging in the bar was part of the plan. So that night we’re in El Poopo’s or whatever the name of the joint was. It was the first one we came to when we were walking down the street. The plan was this: We were going to hang out in the bar for a couple hours. Blend in. Just three dudes in the crowd. We was going to wait until the night started to wind down cause it’d be easier to pull off, plus there’d be more money in the till.

I was sitting up next to the end of the bar by myself, which also put me right up next to the stage. When the time was right, Jess and Hoby was to start something. They was going to go at it pretty quick, cause if it was just a bunch of hollering, the bouncer would throw them out before it got going. They had to throw punches and try to drag a few more into it while they was at it. Then, when all hell broke loose, I’m supposed to slide behind the bar and grab some cash. A little fun, a little green. No big robbery or nothing like that, just a little cash and dash.

Ok, yeah, now that I say it out loud, it sounds like pretty bad plan.

Truth is, I don’t think none of us thought we’d go through with it. I figured we’d end up drinking and having a good time and nothing would come of it. And I’d probably been three sheets to the wind had it been a rock and roll band. Hell, I’d probably been three sheets to the wind if Charlotte hadn’t been in that dopey band of flake bats. But she was. And even though she was the only girl in the band, and the more I studied on her, the better she looked, she still hadn’t hooked me. She looked like she was dressed for Sunday morning church. I like my women with a little more edge.

The band had been playing when we got there, some kind of rockabilly that might been respectful if they had played it like Skynard might have played it. They followed that up with some jazz crap that just wasn’t doing it, but there was a lot of them beatnik types with their fashion model beards and their cute little jeans with the rolled up cuffs and they seemed to like the dorky guitar player. Whatever. I ordered another beer.

Then they played a slow song. A sad song. I ain’t into music but I know blues when I hear it and that’s what they launched into. Ok. I could handle that. Dorko was singing and the big fiddle player quit thumping on that thing and plucked the strings soft and slow. Then Dorko quit singing and turned to Charlotte.

I never heard nothing like it. She made that clarinet cry, playing notes long and sad, then a run of notes together going from low to high and back down again, her fingers dancing over them little holes on that pipe. I don’t know how long she played but it wasn’t long enough. Dorko ruined it with his guitar and whiny voice. But it was too late. She’d hooked me.

So I paced myself. Cause in my mind, in my twisted reality, I knew me and her was meant to be. And when I finally get a chance to talk to her, I wanted my wits to be with me.

I looked over at Jess and Hoby and they was talking to some girls, drinking like there was no tomorrow. I relaxed a little, thinking Jess would just forget about the fight and the stealing and just sit back and have a good time. Suited me just fine. Me and Charlotte had our destiny to fulfill.

So the band goes back to whatever crazy music they play. Thumping on that fiddle, goofball tooting his horn. Even Charlotte was into it, but that’s ok. You got to do what you got to do. I couldn’t take my eyes off her. She smiled at me once or twice. Pretty sure. I was hard not to miss sitting so close. I smiled back.

By the time I was on my fourth beer, I was starting to want the night over, hoping the band was winding down and I’d get a chance to work my charms on Charlotte. Jess and Hoby was still going at it, but Hoby looked a little agitated. Dang. Maybe they was going to go through with it after all.

Then the band played something different. Slower. The drummer played a kind of shuffling sound. Made me think of walking by myself on the street, walking up to Charlotte. She’s leaning on the handrail of one of the walk-ups down on Fourteenth Street. Somebody’s singing but it ain’t Dorko. I think maybe it’s the horn player. Got a deep, gravelly voice. And Charlotte sees me from down the street. I’m walking slow, shuffling like the drum. I’m a few feet away. She’s wearing that red dress, but now it don’t look like a church dress, cause she looks too good to be wearing it to church. She’s looking down at her matching red shoes. Then looks up at me, locks eyes with me.

Kiss me, you fool.

Oh, man.

Ok, I know I was just making up the scene in my head, and truth is, maybe I made it up after the fact, but she said those words that night. So smokey, so hot. It was part of that slow song. And when she said it, she was looking right at me. For sure. Right at me. Probably.

Then that gravelly voice was singing again.

I was sweating. Trying to catch my breath. Cause Charlotte does that to me. Every time.

I finished my beer and looked back at Jess and Hoby. They was jawing at each other. Didn’t seem like they was putting on, either.

Please let this be your last song. I’m just about out of time.

Kiss me, you fool.

Oh, man.

Then that tinny trumpet sound and I could tell the song was winding down.

And behind me, a big crash. It was on.

Dang.

I wanted to let it play out. Just let Jess and Hoby get thrown out of the bar. I could tell them later that me and Charlotte had a thing going on.

I looked back at the band they was all watching, their eyes wide. Charlotte, too. Another crash. Hoby threw some dude across a table. Two more got into it. Jess looked at me and winked just as the bouncer grabbed him around the neck and punched him the face.

I had to do my part.

The bartender was down at the end of the bar helping a couple of girls climb over to get out of the way of fight. I took out the small pry bar out of my jacket, slipped behind the bar, opened the cash drawer, grabbed a hand full and started to make my way out. It took all of seven seconds. I was just about at the door when somebody grabbed me by the collar. I looked around and it was the bartender. He looked back to the stage. Charlotte nodded. She ratted me out.

They dragged me out there before I even knew her name.  Course these days stuff like that’s easy to figure out.

That was two weeks ago.  I go before the judge tomorrow for my sentencing. I’m hoping for probation but if he sends me to the house for a spell, I’m ok with that.

I’m cleaning up my act. No more drinking. Not that I was a fall down drunk, and I when I was in the middle of one of Jess’s plans, it was a total blast. But there was always some kind of mess to clean up the next day. And truth is, I’d never have a chance at someone like Charlotte being the low-life thug that I was.

So, yeah, I’m cleaning up my act. No more Jess or Hoby, either. And no more Connie. I’m Conrad now, just like my momma intended.

Speaking of momma, I went to church with her last Sunday. Not sure if church life is for me, but hey, they talk about forgiveness and starting over and hell, that’s a good place to start. Pardon my language. Got to work on that, too.

And someday Charlotte’s going to say it for real.

Come on over here, Conrad.

Kiss me, you fool.

Oh, man.


This story is a work of fiction. Names, characters, places, and incidents are either the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, businesses, companies, events or locales is entirely coincidental.

copyright 2018, joseph e bird
photo credit: iStock

Writing Tip – Go Back. Way Back.

Have you ever lost your way?

Lost your vision?

Lost your purpose?

As you know, I’ve been working on Heather Girl for a while now, taking my time, letting the story unfold gently, getting to know the characters.  I’m about two-thirds through.  I’ve passed the dreaded middle section and should be cruising to the finish line.

And yet, as I stare at the computer screen, I wonder if it’s all been a wasted effort. Sure, I’ve written a scene or two that I’m fond of, but I worry that there’s not enough story. Maybe I should just trash it all.

So I went back to the beginning. To that first sentence I wrote. The first paragraph. The first chapter.

I met Heather all over again.

And I remembered.

I remembered why I started this in the first place. Remembered why I like her.   Remembered why I have to tell her story, from beginning to end.

I wonder if this technique might work for other art forms.

I can see an artist, not sure where a painting is going, looking back at the first sketch in the notebook that inspired the painting. Or a musician, caught up in working out the third verse, going back to that first phrase, or that first chord progression that got her started. Even the runner, working through an injury, finding joy in just running a mile again.

It helps to remember why you’re doing something in the first place.

Go back.

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