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Joseph E Bird

Let's talk about reading, writing and the arts.

Why this hillbilly wears shoes.

I’ve got a few ideas I want to tell you about, but there’s something distracting me right now and I need to get it off my chest. (That’s a weird expression. Remind to look that up.) You may not be able to relate to this, but I live in West Virginia, and most of us don’t wear shoes, what with us being hillbillies and everything. But my office has a dress code. We’re required to wear shoes, except on casual Fridays when pert near anything goes. I just threw in that “pert near” as typical hillbilly lingo to add some local flavor to my story. Most of us don’t really talk like that.

I’ve had my shoes on all day. And my knee’s been hurting from running too much. Either that or just one of them getting old things, so I didn’t run today. So I really have had my shoes on from about 7:12 this morning until now, which, according to the clock Steve Jobs gave me, is 8:13. I’ve been home since about 5:24. I stayed a little late because after everyone left the office, I wanted to try out my new guitar amp. There was a guy who used to work for us, but he got tired of having to wear shoes all the time, so he got himself a job in Florida where all he has to wear are flip-flops, or as we used to say back in the olden hillbilly days, thongs.

Rob – that’s the name of the guy who went to Florida to wear thongs – I mean flip-flops (don’t want to plant any untoward images in your mind) – was a guitar player, too, and he had an electric guitar in the office that he’d play around with on his lunch hour. When he left, I told him he had to leave his guitar. Since I was his boss, he had no choice. So he left me the guitar and a pick. But no amplifier. I went up the street the other day to the Fret N Fiddle. That’s what we call music stores here in hillbilly West Virginia. I asked for the smallest amplifier they had. The young feller (more hillbilly lingo) showed me one for $40. Said it ran on batteries. Well, that wouldn’t work, so he showed me another one for $100. I’m way too cheap to spend that kind of money. Then I saw a little amp on the way out that had vacuum tubes. I should have known better. $500. I blame that on the millennials. Even in West Virginia, we have millennial hipsters.

I ended up getting an amp from an online store for $25. I know what you’re thinking. It couldn’t possibly be any good. But I forgot to get a chord. So today I went back up to Fret N Fiddle. They’re closed on Thursdays. Just some random day to be closed, I reckon (lingo). Up the road I went to Gorby’s Music. I had time since I wasn’t running because of the aforementioned sore knee. Gorby’s has been around forever. I got my high school trumpet there, I think. Or maybe it was Herbert’s Music.

I asked the guy at the counter, who looked like a Gorby, if he ever got any Harold Hayslett cellos in the store. Harold Hayslett is also a hillbilly from nearby (actually, he’s the furthest thing from a hillbilly, but I have a theme going here, so we ask that you bear with us) who makes world class cellos and violins out of gopher wood. Just kidding about the gopher wood. The rest is true. I know this because my sister has a cello that he made when he was starting out. The Gorby fellow says he hasn’t seen one in a while and tells me old Harold is still up on the hill. I told him I thought he died. There was a piece on the radio the other day about Hayslett and I thought they said he died but I was wrong. He’s 99 years old and still going strong. It was John Lambros who died. Lambros was another prominent figure from my sister’s cello days in the area and I guess I got them mixed up. Lambros was 98. There might be a connection between music and living a long life.

So I said my goodbye to Mr. Gorby and went back to the office (still wearing my shoes). My lunch hour was over but I plugged in the guitar to make sure my $25 amp worked. It did. At one point in the afternoon I was tempted to take off my shoes and stick my feet under my desk, but at the time, it just seemed like too much trouble. At 5:02, most everyone had left the office so I plugged in the guitar again. At 5:13, someone hollered from the other side of the building to see if I was still there. In West Virginia, we holler, even when we have telephones. I hollered back and said I was, then he left. I had the whole place to myself, so I cranked it up. Then pushed the little button on the amp that made the distortion sound. All of sudden I sounded like a rock star. It was so cool that I kept playing for another fifteen minutes. Then I went home.

I kept my shoes on even then, because once, a few years ago, I took my shoes off at home and was going around in my socks (it must have been winter). And believe it or not, I stubbed my toe on my shoe. One of those freakishly bad stubs. On my shoe. Ironic, yes? Kind of like throwing your back out when you pick up a pillow, which I’ve done. I thought I broke my toe. The big toe, of course. Ever since then, I always wear some kind of shoe until I go to bed.

Ok. I’ve been writing this little story now for 26 minutes. It’s 8:41. My socks are all bunched up in the toes of my shoes and it’s driving me crazy. I can’t wait for that moment, maybe an hour from now, when I get to set my toes free and they can breathe again and escape their leathery prison. I might write a poem about it. No, I won’t.

I sat down here to make some New Year resolutions and I couldn’t get my mind off my uncomfortable feet. Maybe tomorrow. Maybe not.

You didn’t remind me to look up “get it off my chest.”

8:58.

Good night.

funky jazz for the a.m.

 

If you’re sitting alone in your office/home/coffee shop and wouldn’t mind some cool background music, click the link, hit play, and crank it up. Prince from 1977.

today there is peace

christmas-on-the-deck

today there is peace

well, not really
but today, more than any other day,
we want peace

we want the guns to go silent
the bombs to be dismantled
the swords to be sheathed
the fists to be loosened
the anger to be soothed
the hate to find understanding
the trespass to be forgiven
the pained to find comfort
the sick to be healed
the hungry to be fed
the thirsty to have drink
the forgotten to be remembered
the cast out to be gathered in
the lost to be found
the unloved to feel love
the tumult to find peace

today, more than any other day
we want peace

because
years ago a child was born
though not all believe
that he was the son of God
that he was born for redemption
that he was the Christ

though not all believe

today,
more than any other day
we pray for peace


copyright 2016, joseph e bird

vanity

tell me what I don’t know
see which way the wind blow
spinnin like a gyro
playin with the vertigo
puttin on a big show
fakin like a puppet show
hear me up in idaho
this is it, here we go

it don’t matter what it is
it don’t matter if it true
listen what i say to you
dig my words, dig me, too

leavin on a jet plane
hoppin to the south of spain
sippin on the champagne
scared to try the cocaine
stayin home it so mundane
want to be like charlemagne
livin large, i can’t complain
it ain’t real, its all in vain

it don’t matter what it is
it don’t matter if it true
listen what i say to you
dig my words, dig me, too

tell me that you like my song
yo to me, i can’t be wrong
be my posse, be my throng
if you like, you sing along
ring the bell, bang the gong
dig it man, like tommie chong
fifteen likes and goin strong
make me feel like i belong

it don’t matter what it is
it don’t matter if it true
listen what i say to you
dig my words, dig me, too


copyright 2016, joseph e bird

Static

Electronic vacuum tube

“…for in my radio with all its static I could hear, over and above Beethoven, the progress of a lightning storm a thousand miles away.” – from Prelude, by Mark Helprin.

Do you remember listening to the radio, late at night, and hearing that intermittent crackling?

Things have changed, of course, especially when it comes to how we listen to music.

Back in the day, my dad would occasionally tinker with our old-school television set when it would act up.  Televisons used to be big consoles that sat on the floor, and you would pull on a knob to turn it on, then wait while the vacuum tubes and the cathode ray tube (the tv screen) warmed up. Radios used to be like that, too, until the invention of the transistor. The glowing tubes went away.

Well, they’re back.

So are vinyl records and turntables. Audiophiles (if you play music using a turntable, you’re an audiophile) use words like “warmer” and “richer” to describe the musical experience they claim to hear.

I grew up listening to records on turntables, ranging from the cheap turntable in a cardboard suitcase that we played Beatles 45s on, to my college turntable that I bought after extensive research at all of the high fidelity stores that used to abound. As kids, we’d play a record so much that it would start sticking. So we taped pennies to the tone arm to hold the needle down so it wouldn’t jump the grooves in the record.

Of course with my high-end Yamaha turntable, the needle was referred to as a stylus and there was great debate over the merits of direct drive versus belt drive. I chose belt drive and was surprised to learn that the belt was little more than a rubber band. I wiped each record clean before and after playing with a special record cleaning pad and record cleaning solution, allowed a suitable amount of time between playing to allow the grooves to cool, and never, ever taped a penny to the tone arm.

Then along comes the CD. Digital music. Clear and perfect every time. No scratching from an overplayed record. If I wanted to play a song repeatedly, no problem. It was just as good as the first time.

Next, we started downloading music over the internet. But in order to keep files manageable, they need to be compressed. Some music quality is lost. This is when the audiophiles start to sing the blues.

Now we’ve come full circle in the quest for the ultimate stereo experience. Records, turntables, and vacuum tubes are back. And if I weren’t so cheap, I’d jump on the bandwagon, if for no other reason, than the fun of it.

But I can’t help but think that you’ll hear some crackle and pop from the stylus rumbling over the vinyl grooves, just like we used to, no matter how much you take care of your records.

I was reminded of all of this today as I was reading  Mark Helprin. His character was lamenting the bludgeoning march of progress and its effects on the simple things in life, and he says this:

“…for in my radio with all its static I could hear, over and above Beethoven, the progress of a lightning storm a thousand miles away.”

Maybe there’s truth in that.

Maybe a life is richer with a little static. And scratches. And imperfections.

Maybe perfect is too good.


photo credit: iStock Photography

 

 

 

boze naigle

another musical discovery, boze naigle, the alt hip hop artist on the west coast. this video is a low-key, black and white production to create that retro feel. and i like the casual use of the cue cards, just enough self-conscious to throw the timing off, like he really doesn’t care.  that’s the essence of boze.  cool urban poet.

nah. i’m just kidding about all that. it’s robert zimmerman, of course. 50 years ahead of his time.

a love story

blame this on my sister, Sarah. she introduced twenty one pilots to me via the fairly innocuous video, Stressed Out. but I’ve been exploring and I’ve discovered that they is off the wall.

so this is my weird musical obsession of the moment. i love the theatrics and all of the facial expressions in the video, but beyond all of that, there’s a tender love story.

sure joe. sure.

fortuity

“You can be the best songwriter or guitar player in the world, but you have to work at positioning yourself so that you’re in a place where, if the stars line up, if the right man comes along at the right time, you’re on your way.”

Jim Avett – father of Scott and Seth Avett, aka the Avett Brothers

to thine own self be true

“I told the boys early on, play it the way you play it, and if it’s good, if it’s entertaining, then folks will come to hear you. If not, then we’ll sit here on the front porch and entertain ourselves.”

Jim Avett – father of Scott and Seth Avett, aka the Avett Brothers

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