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Joseph E Bird

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Writing

Real life.

From Amos Mallard. I told you he had a story to tell.

MEMORIES | THE HEALTH CENTRE

I married early. I knew it would be her because of how we were with each other, conspiratorial and effortless. She sat on my knee at a party and kissed me near an open window and there, framed by billowing curtains, we decided to be together. I don’t remember all of that time. I was happy. Rented suit, top hat and wedding gown, a week in Sicily we couldn’t afford and then married life. I wanted to be an artist but I’d stopped believing art was useful and I wasn’t much of a painter. I worked as a photographer for a time but it made me bitter because I wanted to tell stories not photograph children and weddings. She wanted me to just pick something and do it, but I couldn’t. So I walked up and down Bennetts Hill until one of the agencies took pity on me and sent me to a Health Centre; a depressing one storey building clad in pitched lumber in a deprived part of the city.

I sat at the reception desk behind reinforced glass, opening a slot to take medical notes or give vitamin drops. Mothers brought their children for vaccinations and annual check-ups, few of them spoke English. I spoke to the mothers from Burkina Faso in broken French and used the few Urdu words I’d been taught with everyone else. The children were wild and ragged, failing on every developmental test we administered. Some of them were hopeless cases with addict parents who’d arrive agitated and ferocious. We never turned them away. We didn’t know if we’d see the child again that year. The Health Visitors spent most of their time visiting homes and checking that children were being cared for properly. They brought back sad reports or disease and violence. Sometimes they’d share funny stories of what they’d seen, but mostly it was sad.

My shifts were mundane, hours of boredom punctuated by little bursts of chaos – patients falling through the doors begging for methadone or medication for their toothache.  I sat opposite the reception desk of a Doctors surgery we shared the building with. I’d watch the three receptionists working and they’d watch me. We didn’t speak very often, separated by glass as we were, but occasionally we’d make eye contact. They had it worse than I did, a steady stream of people; colds, fevers, rashes, back pain, chest pain, pain when standing, pain when sitting. They ran their desk with merciless efficiency. They had to. I was much softer, trying to help every lost cause, having my hand patted by relieved mothers who I had promised to intercede for. I suppose I was a bit of an anomaly, young, compassionate and uncorrupted.

The women I worked with were beautiful in a way one only appreciates with age and hindsight. There was Jen, tall with indolent eyes who moved softly about the office, composed as a Hellenic statue and more beautiful. Lina with skin like honey, wide hipped and embracing, laughing all the time, superstitious, effortlessly maternal. Eve, athletic, dark, fierce to strangers but gentle with those she knew, she laughed loudly at my dirty jokes and I’d hear her laughing hours later, repeating the punch line to herself. And Jean. Jean was older than the rest, sinewy from years of cycling. Savagely intelligent. She knew everything and everyone and I tried to pry her stories from her but she would never fully share them. I knew she’d travelled, spoke different languages, I knew she was here because she chose to be and that she was devoted to people. I think she liked me because she saw some of her son in me. Jean was pragmatic. She didn’t mind me reading novels when there was nothing to do and she protected me from the agency, telling them I was needed, that I should receive more money. I still see Jean, cycling or swimming. She is frail, softened by age, I don’t know if she has retired. I can’t imagine her sitting in a chair.

I fell in love with all of these women. I saw how they worked, how they loved, how weary they became fighting their war against hopelessness, a war they couldn’t win but had to fight every day. I loved them for that and they loved me back I think, understanding that I wasn’t supposed to be there and that I wouldn’t stay. They saw that I was gentle with people who needed gentleness and they took me for one of their own.

I remember one of the final days I worked at the Health Centre. I was holding a new-born, just days old. The mother handed her to me and I stroked the downy black hair across her forehead, lulling her to sleep. A car screeched to a halt outside the doors and a frantic looking girl burst in to the centre. I handed the baby back to the mother and tried to ask the girl her what was wrong. She dragged me out to the car and pointed at her grandmother who slumped in the passenger seat, breathing shallow raspy breaths. A heart attack. There was movement around me, panic, but all I could hear were those shallow rasping breaths. I picked the woman up and carried her in to the Doctors office. She was light in my arms, fragile as a bird, the silk of her sari draped loosely about her skeletal frame. As I paused at his office door the woman breathed her last, a long exhalation. The Doctor tried CPR but she was gone. She died in my arms.

That was the closest I had been to death. The finality and simplicity of it surprised me, she was alive one moment and dead the next, life had escaped her and what I held in my arms was nothing, dust, a shell. I washed my hands after everything settled down. I wasn’t sure why. The mother and her baby were still at the desk waiting for me.

It would be too grand to look back and say I saw the worst and best of people while I worked there, but I am different because of the Health Centre. Behind my reinforced glass I watched parts of the journey of life and death; the joy of birth, the exuberance of youth, the struggle of age, the inevitability of death. I watched these little vignettes from my window and I took in as much as I could. I felt trapped at the time, by the low pay, by a job I felt was beneath me, by my pretensions which told me I should be doing something more worthwhile. I still feel that way. I’m discontent and restless.

I went running on Sunday morning, a steady ten miles around the city. Its research for me, I like to get up early so I can stare at the city without anyone else around. I took a detour past the Health Centre. It’s been demolished, replaced with a modern looking church iced in blinding white plaster. I wasn’t sad; it was an ugly and dilapidated building.

If you live in a city long enough you’ll see parts of your history erased. But if you remember those places, you’ll remember who you were while you were there. That’s important. We all need to remember who we were to understand who we are, and who we might become.

Hold fast. AM.

A story in song.

A story is told.  A song is sung.

Darrell Scott on Mountain Stage.

The weak story.

I’m editing my novel, A Prayer for Rain.

I had a great set of beta readers who all have given me excellent feedback. Thank you, betas. Their comments have made me think and I’ll share some of my thoughts on their thoughts in upcoming posts. Just in case you’re having trouble sleeping at night.

I came across an excerpt from Story Fix, by Larry Brooks. He said this:

“Not every story idea is worth pursuing, even in the skilled hands of the world’s finest authors, and not every story written by a well-intentioned, even skilled, writer should be published.”

Sobering advice for the would-be writer. Before we just jump in and start slinging ink (or arranging electrons), we need to evaluate the entire story idea. I hope to learn that skill from Brooks’ book.

 

Hairbrained Ideas

schedule for web

This is going to be a little embarrassing.

The image above is a schedule I made for myself when I was very young. I’m thinking junior-high age but I’m not sure. I obviously had a lot on my plate back then. And a lot of ambition. Since then I’ve at least learned to draw a straight line.

After I got home from school, I gave myself some time to rest. A half hour. Then some hoops. I guess I was health-conscious even back then. Home in time for supper, then help with the dishes. An hour and a half for homework. I tried to be a good student.

Practice Instruments. I was in the band. A trumpet player. I was probably working on “Flight of the Bumblebee” for band auditions. Seriously. But no, I never learned it and was never better than third chair. I was probably practicing the guitar, too, working on the same three chords I still play today. Hey there Little Red Riding Hood… Only some of you will get that reference.

And then at 9:00, the magic happened.

I’ve always been an unrealistic dreamer and I had so much I wanted to do, I carved out time every night to work on what my mother called hairbrained ideas, as is in What hairbrained idea are working on now? It wasn’t how it sounds. She really was encouraging.  But heck, at one point I wanted to make my own laser. This was decades before you could go to a dollar store and buy a laser pointer. And I wasn’t the Sheldon Cooper type. There was no way I’d ever make a laser. I made snow skis once, complete with old belts screwed to boards to serve as bindings. Then there was the space trip I took in our basement. Another story for another day. If nothing else, I was good for a laugh around the dinner table.

These days my hairbrained ideas are only slightly more sophisticated. I thought if I really tried, I could learn “Classical Gas” on the guitar. I thought I could teach myself Chinese, but after 90 lessons, I can barely order a cup of tea. Then there’s this whole writing thing.

Four finished novels; none published.

The schedule is still on the door of my childhood home where my father lives. I mentioned it to him today and he didn’t realize it was still there.  (I wonder if he remembers the time I covered the ceiling of my room with aluminum foil?)

I still work by schedules and have pretty good self-discipline. And I’ll always be that unrealistic dreamer. I’ll always have hairbrained ideas.

I’ve got a concept for my fifth novel. Dreams die hard.


P.S.  If you look closely, you’ll see different handwriting in the time slots.  Call Susie.  A girlfriend added that years after I posted the original schedule. It speaks to the challenge of living in the real world, where schedules and plans are sometimes pure folly.

 

 

The 1% lie.

According to surveys, about 80% of us believe we have a book in us.

Let’s play with some numbers.  The US population is about 320 million.  That means that about 256 million Americans believe they can (should) write a book.

Now let’s apply the 80-20, just for fun.

Of the 256 million who think they have something to say, only 20% of those will ever get around to actually trying to write a book.  That’s 51 million.

Of those, only 20% will finish their book.  That’s a little more than 10 million.  That’s a lot of books.

According to my non-scientific research, there are about 300,000 books published in the US each year, not counting self-publishing in all its forms.  Of the 300,000, about 100,000 are some sort of fiction.

Now 100,000 sounds like a lot.  Surely your novel can be one of the 100,000.

Let’s look at it another way.  Of the 10 million books that are written each year, only 1% get published.  The best 1%.

Maybe you’re in the top 10%.  That would earn you an A in school.  You’re better than 90% of the others.  But it’s not good enough to get published.  You need to be in the top 1%.

Here’s the part that’s not true.

The 1% doesn’t necessarily represent the best writers.  It represents the most marketable, the books that publishers are willing to take a chance on because they believe they can sell product.  Sometimes lesser writing is marketable.

So not only do you have to be a good writer, you have to have a sense of what is marketable if you want to get published.

The odds are against you.  But then again, it’s not about the numbers. It’s about the words.

Tell your story.  Even if it’s just for you.

 

Time Alone

mountains for web

Listen.

The leaves that rustle in the breeze.
It’s just the stirring of the trees.
To bend and sway at nature’s pleas.
And sing the song of time alone.

The sound of paper as I turn.
The book I’ve read, of life to learn.
My eyes are heavy, this rest I’ve earned.
And comfort in my time alone.

I speak, my friend, but you’re not there.
So many things we used to share.
I sit beside that empty chair.
And curse my hated time alone.

The soul is restless, thoughts fill my head.
Of troubling times, so full of dread.
But there is peace; a prayer is said.
So strong becomes the time alone.

I hear a voice, it’s someone new.
Talk with me and stay a few.
I’ll be your friend, you’ll be mine, too.
And share our precious time alone.

The leaves will fall, no sound to make.
As winter brings the heart to ache.
But know that spring will soon awake.
The gift of no more time alone.


Copyright joseph e bird, 2016

Alfred Einstein

Editor’s Note:  The following account is basically true, in the sense that high drama has eluded the author’s life. And in the sense that the author does not have a particularly engaging personality.  And in the sense that the author is pretty much forgettable. It’s not that he hasn’t experienced a time to weep, and a time to laugh; a time to mourn, and a time to dance.  He has.  And there will be more such times.  Nonetheless…


 

Everyone has a story to tell.

I heard that most recently from a writer at a gathering of St. Albans Writes.

“I don’t,” I said.

A lot of people do.

Andrew does.
Chris does.
Ashley does.
Larry does.
Sharon does.
Kevin does.
Amos does.

I could tell you about the most interesting things that have happened in my life, so technically, yeah, I have a story, but it’s not worth telling.  I have no great triumphs; no spectacular failures. I have not experienced war. I have (so far) dodged personal tragedies. I have not traveled the world.  I have not been in the crucible. Even the lessons I’ve learned along the road of life are not associated with intriguing vignettes that might elicit empathy.

You know the guy who throws a dart on the map or closes his eyes and picks out a name in the phone book (remember phone books?) and then goes and interviews them to learn their story?  If he came to my house, it would go something like this.

“So, Joe.  Tell me what it was like growing up in St. Albans.”

“It was nice. We played a lot. Rode bikes. Played in the creek.”

“What was the most traumatic thing you endured as a child?”

“I remember one time I came home from school and the front door was locked.  I couldn’t get inside.  That was pretty bad.”

“How long were you locked out?”

“I don’t know.  Maybe five minutes.”

The clock ticks in the background.  He looks at the guitar setting on the stand.

“Do you play?” he asks.

“A little. I’m really not very good.”

“Can you play something for me?”

“No.”

Tick, tick, tick.

“What about your family?”

“I was found in a shoebox, brought up by welders, and educated by wolves. Then I went to Harvard.”

He raises his eyebrows.

“That’s a line from In Sunlight and In Shadow, a Mark Helprin novel.  No, I’m from a conventional family.  Mom, Dad, two sisters. I was a middle of the road student. At work, just a steady manager type. Been married for almost thirty years.”

He takes a deep breath and exhales slowly.  He taps his pen and looks around the room.  

“What difficult challenges have you had to overcome in life?”

I think for a minute. “People tend to forget my name,” I say. “Sometimes they call me Jim. Or John. So I’ve had to learn not to get offended when they don’t remember me.”

He looks at his watch, but he’s not wearing one.  

“Ok, then.”

He leaves.  The segment never airs.

I have no compelling story to tell, but I’m not complaining.  I’m glad that my life has been absent of trauma and gut-wrenching challenges. Boring can be good.

If I want to tell a story, I’ll just do what I’ve always done.  I’ll make one up.

Remind me some day to tell you about Albert Einstein’s brother, Alfred.

 

 

 

 

 

 

Larry Ellis Live

If you stop by from time to time you know about Larry Ellis, prolific poet and award-winning novelist.  Today (Thursday, February 25) at 1:00 ET, he’s going to be a guest on Frankie Picasso’s internet radio show on the TogiNet Radio Network. He’ll be talking about his latest novel, Overtime, A Basketball Parable.  You can listen live here.  If you happen to miss it, it will be up later as a podcast.

The River of Life

alban fresco for web

HE HAD NO IDEA WHERE HE WAS. He had no idea where he was going. He just walked.

After a few minutes the buzz in his ears had subsided and he began to hear the sounds of the city, the noise of the streets. The taxis revving, the heavy groan of diesel engines moving trucks and buses. From a distance, a siren sang into the night. A horn blared next to him. He turned to look and a cab driver shook his fist and yelled something in an unknown tongue to another cabbie.

He walked on. The rubber soles of his hiking boots made no sound on the concrete. There were other people, but the sidewalk was far from crowded. He walked straightway but there was never a moment when he had to sidestep to avoid an encounter with someone else. They seemed to employ a kind of urban sonar that initiated almost imperceptible course adjustments as they moved toward their destination. No one spoke as they passed. No smiles. No eye contact. It was as if the city, for all its celebration of life and culture, shunned the random discovery of another individual.

Though the stores were closed, restaurants and watering holes teased with a hint of celebration and inclusiveness. But he knew that people like him, those who by either natural tendencies or situations that had been forced upon them, were more comfortable sitting to the side and observing. People like him, were they to expose themselves to the illusion of grand party, would again learn the hurtful truth that no one really cared.

No one really cared.

The night was cooling. He zipped up his jacket.

He had been walking for more than an hour but it wasn’t the time that he noticed. It was the quiet. If the street was the river of life in the city, he had hiked to its headwater. Or maybe a tributary. A slower body of water, more peaceful. When hiking in the forest, he would often find a rock beside the river and let his mind drift with the placid current.

He stopped. Ahead, a small group, men and women, loitered on the stoop of a walk-up. He looked behind. A couple of people walked in the opposite direction. He must have passed them but he couldn’t remember. Across the street, a warm yellow light flooded onto the sidewalk from the neon sign of a pub. Edie’s. No. Eddie’s. One of the ds had lost its glow. Either way.

He was tired. He needed to rest.


copyright: joseph e bird, 2016
photo copyright: joseph e bird, 2014

 

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