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Joseph E Bird

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Maxfield Martin

“Although the fig tree shall not blossom,
neither shall fruit be in the vines;
the labor of the olive shall fail,
and the fields shall yield no meat;
the flock shall be cut off from the fold,
and there shall be no herd in the stalls.”

Do you hear me? Do you understand? There will be bad times, brother.
In my eighty-one years, you better believe I’ve had them.
Three years ago I lost Nita.
We’re supposed to get wiser as we get older, and I guess I have.
Even so, loss is hard and lonely.

Here’s what I know.
Listen, now.

“Yet I will rejoice in the Lord, I will joy in the God of my salvation.
The Lord God is my strength and he will make my feet like hinds’ feet,
and he will make me walk upon mine high places.
To the chief singer on my stringed instruments.”

I didn’t always know that.
When you’re young, you think the fig will always bloom.
You think there will always be fruit and cattle in the stalls.
Now don’t be dense. You know what I mean. Even if you’re young, you know what I’m saying.

But this isn’t my story. It’s Trevor’s.
Trevor for sure didn’t know.
To this day, I don’t know if he’s taken hold of the truth.
It’s not profitable for a man to express his faith in these days and when you’re young like Trevor, you’re not inclined to go against everything the world says is right.
One has to be tried, tested, and hardened by fire.

That boy.
He’s a remarkable boy.

This means nothing.

song of the lost cover 4

Photo by Joseph E Bird, Copyright 2013

The Stolen Child

Author’s Notes:  This an excerpt from my novel Song of the Lost. It’s the story of James and Katherine who struggle for the lives while lost deep in the forest.  Chloe is Katherine’s estranged daughter who lives on the streets of Nashville. Although mentally challenged, she has occasionally expressed a latent musical genius.  She has been befriended by Brad McNear, a country music star in Nashville. In this scene, Chloe is hanging out a public library.


Chloe had two hours before the library would close and she went to her usual place, a table near the newspaper racks across from the reference desk. She wheeled her cart beside the table, took off the blanket, set her brass compass on the table, and took out her book of poetry. She had read the poems so many times that their rhymes and rhythms had shaped not only the songs which seemed to emanate from her spontaneously, but also her everyday speech patterns. She would have been regarded as special and lovely simply on her own natural countenance, but to those who took the time to talk to her, her poetic expression created an aura of special knowledge or prescience. In the sense that they conferred wisdom and understanding upon her, it was, of course, unwarranted. But in realm of simple clarity of truth, there was no one like her. For these reasons, Chloe Nielsen attracted people of kind and gentle heart.

Georgia Taylor, one of the librarians, was such a person.

“Hi, Chloe,” she said as she approached her table. She sat down beside her holding a book, which drew Chloe’s eyes. Its binding was old and worn, with frayed strings which at one time helped form the cloth that was glued over the cardboard cover. Along the spine in gothic letters that had faded into barely visible shadows was the name of the author: YEATS.

“Hi, Georgie,” Chloe said.

“It’s late for you to be here, isn’t it?”

Chloe nodded, then reached into her jacket pocket and pulled out the pass to the show at Willie’s. She handed it to Georgia.

“Oh. This is to Brad McNear’s show tonight. Where did you get this?”

“Brad gave it to me.”

Georgia leaned back in her chair. Her look was quizzical. “Do you know Brad?”

Chloe nodded. “We play music together sometimes.”

“You play music with Brad McNear.” It wasn’t a question, it was a statement of implied doubt.

“Sometimes. He recorded my song.”

Georgia could no longer feign her belief. “Are you making up a story, Chloe?”

Georgia had heard Chloe play and sing, but she had never witnessed her genius – only the three-chord cover songs that eventually disintegrated. She had never known that there was more. She gave up her pursuit of the truth.

“Well,” she said, “if you’re going over to Willie’s, be careful. The hustlers will be out trying to take advantage of the tourists. They prey on the vulnerable.”

“I know,” Chloe said.

Georgia looked at the ticket. “The show doesn’t start until eight,” she said. “You’ll have to be out of here by six. Where are you going to go until then?”

Chloe shrugged.

“Have you eaten?”

“I ate lunch at St. Mark’s.”

Georgia thought for a moment, then went to her desk. When she returned, she put a folded twenty-dollar bill into Chloe’s jacket pocket.

“There’s a sandwich shop between here and Willie’s. They’ll make you whatever you want. Get you a cup of coffee, too.”

“Can I have tea instead of coffee?”

“Of course. Just stay there until you can get in the club. They won’t care as long as you buy some food.”

“Ok.”

Georgia smiled, then slid the book in front of Chloe. “I thought you might enjoy this. I know you like poetry. This is William Butler Yeats. One of the great poets of the twentieth century. I’ve had this since I was a child. It means a lot to me. I want you to have it.”

Chloe ran her hand over the worn cover, tracing the edges with her fingers. She opened the book to a random page and felt the yellowed paper. She followed the words with her eyes, her lips moving as she did.
Georgia patted Chloe’s hand. “I hope you enjoy it as much as I have.”

“Thank you, Georgie. I will.”

Georgia went back to her desk; she had work to do before closing. Chloe opened the book of Yeats poetry to page one. She read the half title, the title page, the colophon, the table of contents, and the forward before stopping at the first poem, The Stolen Child. She glanced at the verses that seemed so long, with words that were strange and unknown. She read the first few lines, stopped, and read them again. The meaning wasn’t clear. What was this poem about? A lake, herons, rats? She read more, grasping a phrase here and there but failing to put it together into anything coherent. Until the last line of the first verse.

the world’s more full of weeping than you can understand.

That, she understood.

She spent the next hour pouring over the book, reading verses and even single lines at random. It wasn’t easy. But there was something in the difficulty that was beguiling. She doubted that she would ever understand it all. She knew she would never stop reading.

It was almost six and Chloe was the only one on the main floor. She looked up at the desk, looking for Georgia. She wanted to thank her again for the book, but she didn’t see her. Chloe packed up her cart, putting her book of Yeats underneath her book of Frost, then covered them both with her thin blanket. She walked around the first floor, looking behind the stacks for Georgia, but there was no one. She started for the double doors at the front of the library and walked by the main desk.

She almost missed it. It was just another book among a dozen others to be re-shelved. But her mind filtered the blur of images so that the one book stood out and caused her to stop and turn around. She took a step back to the desk, and stared, her mouth open.

The elevator door to the right opened and Georgia exited pushing a cart. Chloe didn’t move or otherwise acknowledge her presence.

“What is it Chloe?”

“Katherine,” she answered. “That’s Katherine,” she said as she pointed to the back of the book jacket.

“Yes. Katherine Loudendale. That’s a new bestseller.” She turned the book over, revealing the cover art of the blue sneakers. “In the Forest of the Night. The story of her survival in the forest.”

Chloe turned the book over. “Katherine. My mother.”

“Katherine Loudendale is your mother?”

“Yeah.”

Georgia stared at Chloe. Anyone would have recognized the look as incredulity, but Chloe was oblivious.

“She got lost in the woods,” Chloe said.

“It’s been on the news,” Georgia said. “She was on The Shelley Show.”

“Dad got me a compass so I wouldn’t get lost.”

Georgia put her arm around Chloe. “Do you want me to take you back to the shelter?”

“No, I’m going to go hear Brad McNear.”

“Maybe I should just take you home.”

“I should go.”

“I’m worried about you Chloe,” Georgia said, but she didn’t say why.

“I’m ok, Georgie. I’m not sick that I know of.”

Georgia sighed, then hugged her from the side. “Please be careful. And go to the sandwich shop and get something to eat, ok?”

“I will. Thank you for the book.”

“You’re welcome. Try to get some rest tonight.”

“Miles to go before I rest.”

“Robert Frost,” Georgia said.

 


Coyright 2015, Joseph E Bird

The poets are wrong.

“The poets are wrong of course. … But then poets are almost always wrong about facts. That’s because they are not really interested in facts: only in truth: which is why the truth they speak is so true that even those who hate poets by simple and natural instinct are exalted and terrified by it.”

— William Faulkner from The Town

Ramon’s Fortune

Author’s Notes:  My fiction tends to be a little somber, but every now and then I’ll get crazy and write something just for the fun of it.  Such is the story below.  It’s total whimsy and comes complete with annoying sentence structure and shallow character development.  It will never win any awards, but I don’t care.  It’s one of my favorites.

 

Ramon’s Fortune
by Joseph E Bird
copyright 2104

 

Shelly Wallingford was sitting by herself at a small table for two in the shade of the eucalyptus tree on the patio of Bel Cibo’s when she heard the muffled thud of the collision of the waitress and the customer, followed by the sound of lead crystal wine glasses breaking on the terra cotta tile, and the soft clink, clink, clink of coins bouncing and spinning, finally stopping to lay flat, glistening in the mid-day sun. Shelly Wallingford turned her head just in time to see the waitress with the white blonde hair apologize to the man in the Armani suit, who, at that precise moment was throwing his hands in the air in exasperation, when a busboy appeared, seemingly from nowhere, and began picking up pieces of Cabernet-stained glass.

Shelly Wallingford felt a tap on the side of her foot. She looked down to see a shiny penny spiraling to rest one inch beside her black, Salvatore Ferragamo pump. She reached down and picked it up, holding it between her thumb and index finger, while her other three fingers formed graceful, crescent-shaped arcs, as if in polite salute to her actual working digits. She looked for the man in the Armani suit, holding the penny in the air as if it were a treasure from Tutankhamun’s tomb, forgetting that it was, in fact, only a penny, and of so little value that its existence was likely meaningless to the man in the Armani suit – a reality that fell upon her like the gentle breeze wafting through the eucalyptus leaves –as she saw him hurry from Bel Cibo’s with a final wave of his hand.

Shelly Wallingford smiled in self-amusement, her hand still raised, as if returning the farewell gesture of the man in the Armani suit. She dropped her hand to the table and looked for the waitress with the white blonde hair, but she too, had disappeared. Of the three participants in the drama of human conflict, only the busboy remained. He stood, blue plastic tub under one arm, and stuffed the clinking coins in the pocket of his blue jeans.

Shelly Wallingford dropped the penny in the side pocket of her Prada handbag.

* * *

Shelly Wallingford walked through the lobby toward the elevators of the Stafford Centre.

“Shelly!”

Shelly Wallingford stopped and turned to see Harold McCormick walking toward her.

“Shelly, do me a favor,” he said. “I was going across the street to get a bagel. I thought I had a dollar on me, but all I’ve got is fifty-seven cents. Can you spot me forty cents so I don’t have to go back upstairs?”

Shelly Wallingford reached in the side pocket of her Prada handbag and scooped out all of her change and gave it Harold McCormick.

Harold McCormick loved bagels. And he loved cappuccinos. But Harold McCormick had put on fifteen pounds since Christmas and his cholesterol was up to 245 by February and both his wife and his doctor were getting a little concerned, so Harold McCormick gave up his post-lunch cappuccino and only allowed himself the indulgence of a plain toasted bagel.

Harold McCormick stood at the corner, waiting for the traffic light to tell him he could walk with reasonable assurance that he would not become an accident victim.

“Excuse me, sir,” the voice to his left said. “I really hate to ask, but is there any way you could spare some change? I need to catch a bus uptown and I’m just a little short.”

Harold McCormick sighed. He knew he was a soft touch. Somehow, they all knew it. Harold McCormick was sure that the homeless and indigent held morning briefings with photographs and dossiers of likely panhandle targets and that one Harold McCormick was on their most-wanted list.

He looked at twenty-seven year old Joshua Riggins, his dirty brown hair falling past his shoulders, and reached in his pocket and gave him all his change.

“I didn’t need that bagel anyway,” he said as he turned and walked back toward the Stafford Centre.

* * *

Joshua Riggins took the change he had collected in ten minutes and counted it as he waited for the two o’clock bus.

“Two dollars exactly,” he said to himself. “Now I don’t have to break the ten.”

He boarded the bus, and listened to the clink, clink, clink of the change dropping in the box as the bus eased into traffic. Joshua Riggins, pulled the ten dollar bill from his jacket pocket, looked at it briefly, making sure that it was Alexander Hamilton and not George Washington grimly looking back, then stuffed the bill back in his pocket, and did not realize that when he once again pulled his hand from his pocket, the ten dollar bill came with it and fluttered like a eucalyptus leaf as it fell to the floor before disappearing under the folding doors of the bus.

* * *

Antonio Marcelli looked up and down the street searching for a pay phone, which had become increasingly hard to find with the advent of wireless telephone technology.  Antonio Marcelli had a cellular phone in his backpack when he arrived in the city at noon for his two-thirty interview at Ramón’s, but his backpack had been stolen as he was buying a cup of coffee from the newsstand on 48th Street. There was no way Antonio Marcelli was going to be able to walk the ten blocks to Ramón’s and get to the interview on time so he had to call – and then he saw a ten dollar bill in the gutter next to an empty Coca-Cola can.   He picked up the ten, hailed a cab and made it to the interview with Ramón Oliverio. Antonio Marcelli was hired as the head chef of the first Ramón’s restaurant.

* * *

Ramón Oliverio’s restaurants were greatly successful and four more restaurants opened in the city the following year, and the year after that, ten restaurants were franchised in the state and the year after that thirty-three restaurants were franchised along the east coast. Ramón Oliverio became a very wealthy man.

* * *

Ramón Oliverio leaned back in the plush leather chair as he sat across the table from the Mergers and Acquisitions lawyer of Taft and Oppenheimer.

The Mergers and Acquisitions lawyer said, “Our accountants and appraisers have completed the valuation of your fifty-six restaurants, twelve coffee shops, three hotels, and your numerous property holdings in Florida and the Carolinas and have determined that their total estimated value is one hundred thirty seven million, four hundred eighty three thousand, five hundred seventeen dollars and one cent.”

Ramón Oliverio laughed heartily, as only a man is his position could.

“That’s the estimated value?” he asked as he leaned toward the table, resting his meaty forearms on the glass top.

He paused, and then reached into the pocket of his faded jeans, pulled out a coin and tossed it on the table. “I’ll give you the penny,” he said with an even bigger laugh, as the coin clinked twice on the table, before rolling in the direction of the Mergers and Acquisitions lawyer. “But I’m not going below two hundred million.”

Shelly Wallingford watched as the dull, dirty penny rolled down the glass table-top one inch from her black leather Gucci briefcase, where it spiraled flat, Lincoln side up. She picked up the penny and placed on top of the stack of accountants’ and appraisers’ valuation forms.

Shelly Wallingford smiled at Ramón Oliverio.

“It’s a start,” she said.

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