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Joseph E Bird

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Joseph E Bird

Unsalted Pretzel

“Hey, do you guys think I’m an unsalted pretzel?”

“I could eat.”

“No.  Am I like bland and a safe snacking choice?  I was just wondering if that’s what people think of me.”

“Uh, I don’t think people think of you.”

“Well, I want people to think I’m spicy and fun and dangerous.”

“Like a bullet made of chorizo?”

“Kind of.”

“Where are you going?”

“Oh, I have to renew a library book.  It’s not due today, but I don’t want to cut it too close.”

“Spicy.”


This is a scene from the animated television series, Bob’s Burgers.  I’d never heard of the show, but yesterday when driving back from Logan, the show’s creator, Loren Bouchard, was interviewed by Chris Kimball on America’s Test Kitchen radio show.

It’s gold, Jerry.  Gold.

See the clip from Bob’s Burgers here.

Alfred Einstein

Editor’s Note:  The following account is basically true, in the sense that high drama has eluded the author’s life. And in the sense that the author does not have a particularly engaging personality.  And in the sense that the author is pretty much forgettable. It’s not that he hasn’t experienced a time to weep, and a time to laugh; a time to mourn, and a time to dance.  He has.  And there will be more such times.  Nonetheless…


 

Everyone has a story to tell.

I heard that most recently from a writer at a gathering of St. Albans Writes.

“I don’t,” I said.

A lot of people do.

Andrew does.
Chris does.
Ashley does.
Larry does.
Sharon does.
Kevin does.
Amos does.

I could tell you about the most interesting things that have happened in my life, so technically, yeah, I have a story, but it’s not worth telling.  I have no great triumphs; no spectacular failures. I have not experienced war. I have (so far) dodged personal tragedies. I have not traveled the world.  I have not been in the crucible. Even the lessons I’ve learned along the road of life are not associated with intriguing vignettes that might elicit empathy.

You know the guy who throws a dart on the map or closes his eyes and picks out a name in the phone book (remember phone books?) and then goes and interviews them to learn their story?  If he came to my house, it would go something like this.

“So, Joe.  Tell me what it was like growing up in St. Albans.”

“It was nice. We played a lot. Rode bikes. Played in the creek.”

“What was the most traumatic thing you endured as a child?”

“I remember one time I came home from school and the front door was locked.  I couldn’t get inside.  That was pretty bad.”

“How long were you locked out?”

“I don’t know.  Maybe five minutes.”

The clock ticks in the background.  He looks at the guitar setting on the stand.

“Do you play?” he asks.

“A little. I’m really not very good.”

“Can you play something for me?”

“No.”

Tick, tick, tick.

“What about your family?”

“I was found in a shoebox, brought up by welders, and educated by wolves. Then I went to Harvard.”

He raises his eyebrows.

“That’s a line from In Sunlight and In Shadow, a Mark Helprin novel.  No, I’m from a conventional family.  Mom, Dad, two sisters. I was a middle of the road student. At work, just a steady manager type. Been married for almost thirty years.”

He takes a deep breath and exhales slowly.  He taps his pen and looks around the room.  

“What difficult challenges have you had to overcome in life?”

I think for a minute. “People tend to forget my name,” I say. “Sometimes they call me Jim. Or John. So I’ve had to learn not to get offended when they don’t remember me.”

He looks at his watch, but he’s not wearing one.  

“Ok, then.”

He leaves.  The segment never airs.

I have no compelling story to tell, but I’m not complaining.  I’m glad that my life has been absent of trauma and gut-wrenching challenges. Boring can be good.

If I want to tell a story, I’ll just do what I’ve always done.  I’ll make one up.

Remind me some day to tell you about Albert Einstein’s brother, Alfred.

 

 

 

 

 

 

Afternoon Poem

It’s snowing.
Again.
Are you kidding?
Soft little snowflakes that make me think of something nice.
That’s a lie.
It’s snowing and I’m cold.

The end.

The Beaches

the beaches for web

If it’s the beaches.

If it’s the beaches’ sands you want
Then you will have them.

If it’s the mountains’ bending rivers
Then you will have them.

If it’s the wish to run away
Then I will grant it.

Take whatever you think of
While I go gas up the truck
Pack the old love letters up
We will read them when we forget why we left here.


From The Beaches, by Scott and Seth Avett

 

Larry Ellis Live

If you stop by from time to time you know about Larry Ellis, prolific poet and award-winning novelist.  Today (Thursday, February 25) at 1:00 ET, he’s going to be a guest on Frankie Picasso’s internet radio show on the TogiNet Radio Network. He’ll be talking about his latest novel, Overtime, A Basketball Parable.  You can listen live here.  If you happen to miss it, it will be up later as a podcast.

The River of Life

alban fresco for web

HE HAD NO IDEA WHERE HE WAS. He had no idea where he was going. He just walked.

After a few minutes the buzz in his ears had subsided and he began to hear the sounds of the city, the noise of the streets. The taxis revving, the heavy groan of diesel engines moving trucks and buses. From a distance, a siren sang into the night. A horn blared next to him. He turned to look and a cab driver shook his fist and yelled something in an unknown tongue to another cabbie.

He walked on. The rubber soles of his hiking boots made no sound on the concrete. There were other people, but the sidewalk was far from crowded. He walked straightway but there was never a moment when he had to sidestep to avoid an encounter with someone else. They seemed to employ a kind of urban sonar that initiated almost imperceptible course adjustments as they moved toward their destination. No one spoke as they passed. No smiles. No eye contact. It was as if the city, for all its celebration of life and culture, shunned the random discovery of another individual.

Though the stores were closed, restaurants and watering holes teased with a hint of celebration and inclusiveness. But he knew that people like him, those who by either natural tendencies or situations that had been forced upon them, were more comfortable sitting to the side and observing. People like him, were they to expose themselves to the illusion of grand party, would again learn the hurtful truth that no one really cared.

No one really cared.

The night was cooling. He zipped up his jacket.

He had been walking for more than an hour but it wasn’t the time that he noticed. It was the quiet. If the street was the river of life in the city, he had hiked to its headwater. Or maybe a tributary. A slower body of water, more peaceful. When hiking in the forest, he would often find a rock beside the river and let his mind drift with the placid current.

He stopped. Ahead, a small group, men and women, loitered on the stoop of a walk-up. He looked behind. A couple of people walked in the opposite direction. He must have passed them but he couldn’t remember. Across the street, a warm yellow light flooded onto the sidewalk from the neon sign of a pub. Edie’s. No. Eddie’s. One of the ds had lost its glow. Either way.

He was tired. He needed to rest.


copyright: joseph e bird, 2016
photo copyright: joseph e bird, 2014

 

She walks.

snowy neighborhood for web

It was another snowy night.

Larry Ellis lives in the same neighborhood I do. The scene last night was much like the photo above.  In the middle of the snow storm, he looked out his window and saw a young woman walking down the street, all alone in her world of white.  He wrote this:

She walks through the snow as if walking through time
The storm had covered all, erasing the present
Yesterday’s litter, this year’s rust, the cracks in the pavement
All gone under white
The streetlights, the porchlights, the moonlight and starlight
All combine tonight
Every line is straight and even, every wall upright
.
And she comes walking through as if from the past
As if from another world: maybe this perfect, soundless world
She walks alone and seems unworried
Unaffected by this that has kept every car in its garage
And has closed the schools and churches
.
Is her coat, so perfectly fitting
From another day?
Does she walk to some grand house
Now long vanished
That has reappeared in the throes of this storm?
That house where yellow light from tall windows
Makes bright rectangles on the snow in the lawn?
Will there be someone at that door to meet her
Someone to take her coat?
Candles and wine on the table
And a fire in the hearth?

Copyright 2016, Larry Ellis

The Casimir Effect

The story of Trevor and Sheu-lo had started with a conversation about apples. There had been no flash of physical magnetism, no sparks flew, no glint in the eye, no wry smile, no hint of seduction whatsoever. None of the elements that had made his encounters with Dani so gut-wrenchingly wonderful. Yet as their conversation had moved from Fuji apples to Bob Dylan and Eminem, something happened.

“It’s the Casimir effect,” Sheu-lo had said weeks later after they had finally abandoned the pretense that they were colleagues, nothing more. She had made the comment over dinner in a dimly lit restaurant, where music never played, an irony that Trevor found appealing.

“It’s a scientific principle. Casimir was a physicist who experimented with electromagnetic fields. Everyone knows about positive and negative fields.”

“Opposites attract,” Trevor said.

“Right. But Casimir discovered that there is a small attractive force that acts between two uncharged plates.”

“Not opposites?”

“Just two plain, metal plates.”

At first they had maintained their worlds separately, but they soon overlapped. And though they were spending many evenings together at Trevor’s insistence, they had limited their physical involvement. There were lapses in discipline which played on Trevor’s guilt on different levels. The feelings that he had for Sheu-lo were built on a foundation of respect.

There was no dramatic proposal, no elaborate ceremony.

They were married in Max’s church, attended by their families.

Blue

smoke-stack-cropped-for-web

That morning, I drove in the bright sunlight on ribbons of pavement that lay gently on the snow-covered hills against the deep blue sky.

Ray Lamontagne sang about trouble.

I sipped good, strong, black coffee.

I was by myself.

I like being with others, but I also like the times alone.

To sort it all out.

On the edge of Appalachia, the hills disappeared.

Across the Ohio River, the stacks pierced the sky and bellowed white cotton.

One hundred years from now, they won’t be there.

They weren’t there one hundred years ago.

That’s what those kinds of day will do for you.

 

 

 

 

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